The Stage unveils The Stage 25
To celebrate 25 years of The Stage 100, The Stage last week announced a new list celebrating 25 individuals or partnerships tipped to become the future stars of the UK theatre industry.
B2B publishing has quietly become one of the healthier parts of the industry. The trade press that once lived on display and recruitment advertising now earns more of its money from subscriptions, data, events and membership, and private equity has noticed.
The shift meant giving up some old habits. Controlled circulation made sense in print, but open websites gave away what the magazine kept for qualified readers, and the publishers doing best have taken back control of their audiences through registration and paywalls. The Lawyer moved from an advertising-led business to one where paid content brings in over 40 per cent of revenue.
Don’t delude yourself because the barriers to entry in publishing are now non-existent.
Amanda Barnes B2B media
Specialist knowledge is the defence. AI makes generic information close to worthless, so the value lies in proprietary data, tools readers rely on in their daily work and journalism only a specialist could produce, as Computer Weekly's Post Office investigation showed. Print hasn't vanished either. Some publishers now sell it alongside digital at the same price and let readers choose.
Below you'll find some of our best feature articles on B2B and trade media, from subscriptions and data products to events, print, consolidation and specialist journalism, alongside our latest news and industry commentary.
We asked Amanda Barnes, chief executive of Faversham House, what does best practice publishing look like in B2B media? This is what she said…
Rory Brown has enjoyed great success in business media. Having last year sold AgriBriefing and now following new paths in the B2B space, he takes some time out to tell us what he has learned on his journey so far…
Print is certainly not dead, says Chairman Mark Allen. However, you need to offer readers choice and be neutral and agnostic about the outcome.
The Lawyer has been on quite a journey, successfully transitioning from a controlled circulation ad-driven model to a high value enterprise subs one. Andy Baker talks Meg Carter through the key stages and what they’ve learnt along the way.
In the first of our new ‘Digital Horizons’ series, Tom Lake, director of product and technology at Infopro Digital, looks at the tech opportunities and challenges facing his company and the wider B2B sector.
The future of B2B lies in serving your sector in three connected ways: information, intelligence and events.
John Barnes, chief digital officer, William Reed Business Media, tells Ciar Byrne about how the B2B media sector is managing the digital transformation journey.
Computer Weekly deserves much credit for its role in investigating the Horizon IT scandal. Dickon Ross looks at what lessons other B2B journalists can take from their work.
The general expectation is that the buying and selling of media brands is going to increase significantly in 2025. A number of companies have been quietly building up their war-chests during a wobbly 2024, reports Jim Bilton.
If you’re thinking of setting up a membership scheme, be prepared to play the long game because success doesn’t come overnight.
To celebrate 25 years of The Stage 100, The Stage last week announced a new list celebrating 25 individuals or partnerships tipped to become the future stars of the UK theatre industry.
TIME Editor-in-Chief and CEO Edward Felsenthal this week announced a number of changes to his senior team.
News Corp has agreed to pay $295m cash to acquire trade publisher Base Chemicals from S&P Global and IHS Markit.
2021 seems to be ending on a bit of a downer, but the year has had its positive moments.
The Online Safety Bill is a watershed moment in the regulation of tech platforms worldwide, bringing accountability to the actions of platforms. Its success or failure could have ramifications far beyond the UK, writes the PPA’s Seb Cuttill.
The latest Digital Publishers’ Revenue Index from the Association of Online Publishers and Deloitte has revealed sustained growth in digital publishing revenues in the third quarter of 2021.
Condé Nast CEO Roger Lynch said the Vogue and GQ owner intends to step up investment in journalism and content production by a quarter next year.
Press Gazette’s tenth British Journalism Awards returned to an in-person ceremony at the London Hilton Bankside on Wednesday after going online last year due to Covid-19 restrictions.
Publishers often find themselves having to respond quickly to major policy shifts by the big tech companies. Apple’s latest privacy update is one such shift and presents publishers with challenges, but also opportunities.
Future plc has revealed its plans to champion a safer internet for all as part of ‘Our Future, Our Responsibility’, its responsibility strategy which launches today.
Run with the negative or accentuate the positive? Highlight problems or present solutions? These are questions, writes Dickon Ross, that editors have always grappled with.
The music industry was the first to be disrupted by digital, courtesy of Napster and other streaming sites. What can the publishing industry learn from the music industry as it approaches its own ‘Napster moment’?
Thirty years ago, before the digital revolution, mediocre publishing companies sometimes succeeded. Very few of them do now, writes James Evelegh, because we now live a world where publishers need to be high performing in all areas just to survive.
Regularly talking and listening to your audience is the foundation stone of a strong community.
One important decision publishers need to make is whether to build their community on their own platform or on a third party one.