The HistoryExtra podcast goes from studio to stage
Immediate Media’s IX takes the HistoryExtra podcast from studio to stage for STUDIOCANAL’S PRESSURE.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Immediate Media’s IX takes the HistoryExtra podcast from studio to stage for STUDIOCANAL’S PRESSURE.
Shooting Times & Country Magazine has launched a mobile-first digital experience with Touch Tree.
Webscribe has been appointed to provide subscription fulfilment and customer services for Build It, a self-build and home renovation magazine.
RELX last week reported strong underlying revenue growth for the first nine months of 2026 and reaffirms the full year outlook.
Iconic Media Group has acquired Ulster Journals Ltd, publisher of the Ulster Tatler, a monthly magazine.
PayPoint is working with HH&S, an agency specialising in magazine marketing and subscriptions, to explore new applications of PayPoint’s i-movo Secure Digital Voucher service specifically for magazine publishers and their readers.
Anthem has announced it has partnered with News Corp Australia to become the official UK publisher of delicious. magazine.
Mail Metro Media has announced the launch of StoryFlow, a new premium mobile storytelling ad format.
Strands: Sports Edition, is a sports-centric spin off of the popular New York Times Games puzzle.
Immediate has appointed Lisa Smosarski and Elly Parsons as part of the new Radio Times leadership team.
Hearst UK announces Nick Stevens as head of client partners.
The broadcaster will co-host the wellness podcast alongside Women’s Health UK Editor-in-Chief Claire Sanderson, with her first episode dropping this week.
Spanning approximately 25,000 sq. ft., the Market will have 11 kitchens, two full-service bars, a live performance stage and seating for around 500 guests.
All things being equal, people buy from people they know, like and trust. An emphasis on relationship building has been a long hallmark of Mail Metro Media’s Claudine Collins’ approach to doing business. Meg Carter meets her.
At its peak, Prima sold more than a million copies an issue. As it turns 40, Editor-in-Chief Jo Checkley tells Laura Silverman why listening to readers has been the key to its success.