Good magazine design is invisible. Readers notice the stories, the photography, the ideas. The layout guides them through without them realising it. Bad design gets noticed immediately.
Magazine layout is more than aesthetics. It creates hierarchy, guides the reader, establishes brand identity and drives commercial value. Every choice in typography, white space, image placement and colour either reinforces what a title stands for or undermines it. The fundamentals apply whether the output is a printed spread, a tablet edition or a responsive web page.
Design is a verb, not a noun. It's a process. It's not just shapes and colours, it's about understanding who you are, and then matching your values to those of your customers.
Andy Cowles Four design decisions that will transform the experience of your brand
Cover design deserves particular attention from specialist and B2B publishers. A cover that once lived only in print now exists as a digital thumbnail, an email header, a social media post. Getting it right means understanding not just what looks good, but who your reader is and what makes them pick you up.
Editorial design across the sector has never faced more demands. User experience, responsive layout, the balance between advertising and editorial on screen. These require design thinking that goes beyond traditional magazine design skills. Publishers who treat their digital presence as an afterthought to print are missing significant opportunities.
Below you'll find some of our best feature articles on the subject, from practical design guidance to case studies and expert interviews, alongside our latest news and industry commentary.
Design can make or break your publishing brand, so it’s worth putting in the time to get it right. There are four key areas that publishers need to focus on, says Andy Cowles.
The purpose of design is to engage readers and ensure they continue reading, says Michael Chinnery, founder of CPUK Print Publishing.
It’s not just newsstand titles that require well designed covers, says Andy Cowles. For specialist titles too, the front cover helps define the magazine and its readers.
Welcome to our latest special feature, this time looking at all aspects of content production and UX. All of the insights and opinions come from leading suppliers to the publishing sector and from senior executives at UK publishing companies.
Don’t rush to conclusions about UX issues, says OpenAthens’ Sarah Underwood; take time to understand the problem.
When it comes to image quality, publishers tend to put much more effort into pictures that appear in print than those that appear online. This, says Pixometry's John de Jong, is a mistake and one that can be easily avoided.
Welcome to our first publishing workflows special, an extended feature taking an in-depth look at all aspects of the content creation process. All of the insights and opinions come from leading suppliers of publishing software & from senior editors.
Connections, the e-commerce and inserts sampling arm of independent media agency The Specialist Works, has partnered with Denmaur Paper Media and Go Inspire Group to launch a pro-bono campaign for the National Emergencies Trust.
The Printing Charity has appointed Louisa Bull, Julia Palmer-Poucher and David Phillips to its Council, also referred to as trustees.
Elpical Software has announced the release of Claro V12, its image enhancement software.
With publishers looking to reduce their carbon footprint, Denmaur’s Danny Doogan points out that paper is a renewable resource and highly recyclable.
The last few months have seen extensive flooding in England and devasting bushfires in Australia. With the nightly news full of alarming stories about the impact of climate change, it’s never been more important for all of us to do our bit.
The Printing Charity has announced that John Micklethwait, Editor-in-Chief of Bloomberg, has accepted its invitation to be the charity’s 2020 President.
The Manson Group has marked its 50th birthday with the acquisition of a Heidelberg XL 106 from Exel Printing Machinery.
Sir Peter Bazalgette is this year’s guest speaker at The Printing Charity’s Annual Luncheon on Thursday 14 November at Stationers’ Hall, London.
A record 93 winners were presented with their Print Futures Awards on 24 July at a reception at the House of Lords hosted by Lord Black of Brentwood.
Precision Colour Printing managing director Alex Evans is to step down from his role with the company next February.
After achieving just over 6 million impressions a month on its first Push to Stop Speedmaster XL 106-8-P press, S&G has placed an order with Heidelberg for a replica machine.
Micropress is going to install a Push to Stop concept Speedmaster XL106-8P with Autoplate XL and Inpress Control next month.
Guardian Weekly is to be packaged in a compostable wrap to subscribers receiving the publication in the post.
Springer Nature has streamlined its advertising production with Papermule's enterprise level solution AdDesk.
Denmaur Paper Media has announced that Harry E Gould Jr has acquired an interest in the business.
