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Consumer Magazines

Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.

Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.

For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.

Jon Bickley Our print strategy: Anthem

Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.

Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.


Essential Resources

Getting on the front foot
INTERVIEW

Getting on the front foot

For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.

Consumer media
Best Practice in Publishing

Consumer media

We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…

Super-serving audiences
INTERVIEW

Super-serving audiences

For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.

Our print strategy: Anthem
A Celebration of Print

Our print strategy: Anthem

The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.

The changing world of specialist media
INTERVIEW

The changing world of specialist media

With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.

Speaking to women, intelligently
INTERVIEW

Speaking to women, intelligently

Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.

Breaking free
INTERVIEW

Breaking free

Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.

Broadening the Revenue Base
MEDIA FUTURES

Broadening the Revenue Base

Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.

Building a modern specialist consumer media business
FEATURE

Building a modern specialist consumer media business

How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.

Circulation: how to make print circulation profitable
A Celebration of Print

Circulation: how to make print circulation profitable

For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.


All Articles

The BSME and Caitlin Moran launch Young Writers’ Prize
News

The BSME and Caitlin Moran launch Young Writers’ Prize

Journalist Caitlin Moran partners with the BSME to discover the next generation of writing talent from overlooked backgrounds.

10/12/2025

Adnami unveils Agentic Curation
News

Adnami unveils Agentic Curation

Adnami has unveiled its Agentic Curation product, enhancing media buying for the attention era.

10/12/2025

Limelight Inc.’s annual report charts ad networks’ move from aggregation to curation
News

Limelight Inc.’s annual report charts ad networks’ move from aggregation to curation

White paper finds that ad networks are working hard to clean up the supply path and focusing on quality rather than quantity to deliver better outcomes.

10/12/2025

AOP CRUNCH: Are curated audiences the future of premium publishing?
REVIEW

AOP CRUNCH: Are curated audiences the future of premium publishing?

It feels appropriate that the title for the last AOP CRUNCH of 2025 was a question. Despite curation being second only to AI in this year’s industry discourse, much of how it works, whether it works, and who benefits remains unanswered.

By Richard Reeves  |  09/12/2025

The American Guild of Organists digitises complete archive for members and subscribers
News

The American Guild of Organists digitises complete archive for members and subscribers

The entire archive of The American Organist, the flagship title of the American Guild of Organists (AGO), is available in a fully searchable and accessible digital edition through Exact Editions.

09/12/2025

Good Housekeeping UK launches standalone Christmas TV listings magazine
News

Good Housekeeping UK launches standalone Christmas TV listings magazine

Good Housekeeping UK has launched a new standalone TV listings magazine for Christmas.

09/12/2025

Newsworks Awards 2025: winners announced
News

Newsworks Awards 2025: winners announced

EssenceMediacom and Tesco took top awards at the Newsworks Awards 2025 last week.

09/12/2025

Redactive joins forces with Arthritis UK
News

Redactive joins forces with Arthritis UK

Redactive has announced a new partnership with Arthritis UK.

08/12/2025

Classic Pop celebrates 100th issue
News

Classic Pop celebrates 100th issue

Classic Pop, a UK monthly magazine dedicated to 80s music, celebrates its 100th issue with a bumper collector’s edition.

05/12/2025

Hearst UK launches Luxury Hub
News

Hearst UK launches Luxury Hub

Hearst UK will unify its luxury business under a new Luxury Hub.

05/12/2025

Story House Egmont launches Read & Play Disney Belle magazine
News

Story House Egmont launches Read & Play Disney Belle magazine

Story House Egmont expands its portfolio in the UK with launch of Read & Play Disney Belle magazine.

05/12/2025

Experiment and grow
INTERVIEW

Experiment and grow

The degree to which publishers embrace AI will have a large bearing on their future success. As Amrit Baidwan tells Ciar Byrne, it’s all about unlocking AI’s full potential through constant and company-wide experimentation.

By Ciar Byrne  |  05/12/2025

London to Roeselare and back, in 12 hours
Supplier Catch-up: Roularta Printing

London to Roeselare and back, in 12 hours

Roularta Printing is now printing and shipping hundreds of thousands of copies into the UK for British publishers, including for time-sensitive weekly titles, as Steven Renders and Bart Declercq tell James Evelegh.

By James Evelegh  |  05/12/2025

“I owe everything I have to anxiety”
REVIEW

“I owe everything I have to anxiety”

As Caitlin Moran launches a new young writers’ prize with the BSME, writes Laura Silverman, she sits down to talk about the secrets of a great column and the future of writers in the age of AI.

By Laura Silverman  |  05/12/2025

How to keep audiences coming back in a world of infinite content
Digital Horizons

How to keep audiences coming back in a world of infinite content

Roxanne Fisher, director of digital content and generative AI strategy at Immediate Media, looks at the tech opportunities and challenges facing her company and the wider consumer media sector.

By Roxanne Fisher  |  05/12/2025

8700 articles