The BSME and Caitlin Moran launch Young Writers’ Prize
Journalist Caitlin Moran partners with the BSME to discover the next generation of writing talent from overlooked backgrounds.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Journalist Caitlin Moran partners with the BSME to discover the next generation of writing talent from overlooked backgrounds.
Adnami has unveiled its Agentic Curation product, enhancing media buying for the attention era.
White paper finds that ad networks are working hard to clean up the supply path and focusing on quality rather than quantity to deliver better outcomes.
It feels appropriate that the title for the last AOP CRUNCH of 2025 was a question. Despite curation being second only to AI in this year’s industry discourse, much of how it works, whether it works, and who benefits remains unanswered.
The entire archive of The American Organist, the flagship title of the American Guild of Organists (AGO), is available in a fully searchable and accessible digital edition through Exact Editions.
Good Housekeeping UK has launched a new standalone TV listings magazine for Christmas.
EssenceMediacom and Tesco took top awards at the Newsworks Awards 2025 last week.
Redactive has announced a new partnership with Arthritis UK.
Classic Pop, a UK monthly magazine dedicated to 80s music, celebrates its 100th issue with a bumper collector’s edition.
Hearst UK will unify its luxury business under a new Luxury Hub.
Story House Egmont expands its portfolio in the UK with launch of Read & Play Disney Belle magazine.
The degree to which publishers embrace AI will have a large bearing on their future success. As Amrit Baidwan tells Ciar Byrne, it’s all about unlocking AI’s full potential through constant and company-wide experimentation.
Roularta Printing is now printing and shipping hundreds of thousands of copies into the UK for British publishers, including for time-sensitive weekly titles, as Steven Renders and Bart Declercq tell James Evelegh.
As Caitlin Moran launches a new young writers’ prize with the BSME, writes Laura Silverman, she sits down to talk about the secrets of a great column and the future of writers in the age of AI.
Roxanne Fisher, director of digital content and generative AI strategy at Immediate Media, looks at the tech opportunities and challenges facing her company and the wider consumer media sector.