PPA Customer Direct Awards – the Shortlist
The PPA has announced the shortlist for this year's Customer Direct Awards.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
The PPA has announced the shortlist for this year's Customer Direct Awards.
Intermedia Brand Marketing, a provider of integrated, circulation marketing and distribution solutions, has announced the launch of its new text messaging service.
DMD Germany’s expansion incorporates increased warehouse capacity in a new location.
Media agency MediaCom has been named Great Minds 2016 at the end of a competition hosted by Imagine, Immediate Media Co’s new creative studio.
vjoon GmbH this week released Version 7 of its cross-media publishing platform vjoon K4. Featuring two new browser-based approval management modules, it affords brands, agencies and publishers the opportunity to produce content in a remarkably intuit
Amercom UK this week launched a new partwork collection, Ships of War.
Current Publishing, one of Britain’s foremost publishers of heritage focused magazines, has announced the launch of a brand new digital expansion in partnership with Exact Editions.
Haymarket Media Group has agreed to sell its motorsport brands and related events activity to Motorsport Network, the specialist online US motor racing content and events company.
Bloomberg Media yesterday introduced the newly expanded and redesigned Bloomberg Technology sub-brand, which will focus on the business of technology.
Unveiling new research at the Technology for Marketing (TFM) show last week, the Institute of Direct and Digital Marketing (IDM) reveals the use of personalisation and the data habits of digital marketers.
Your audience expects video. It is often the quickest, most engaging and compelling way to tell a story. The demand for video is increasing, with a recent white paper by Cisco predicting that 75% of all mobile traffic will be video by 2020. Pete Ferg
The Association for Online Publishing (AOP) has announced the first round of speakers for its annual autumn conference – now a two-day convention – to help publishers keep pace with rapid technological progress.
Over the past several months, writes Karlene Lukovitz, the pace of change at the large US-based magazine media entities seems to have accelerated.
Fishing is one of the most popular participatory sports in the UK, with some estimates putting the numbers at four million. David Hall Publishing was set up thirty years ago to meet the needs of these passionate enthusiasts. MD Sean O’Driscoll talks
Jim Foster on the world of ePublishing