Future launches ‘Collab’
Future launches 'Collab,’ which aims to forge new partnerships between digital creators and media brands.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Future launches 'Collab,’ which aims to forge new partnerships between digital creators and media brands.
Retail Media and TV+ take centre stage as UK ad spend forecast to hit £45 billion by 2026.
PA Media Group has appointed Martin Bland as commercial director of its video streaming company, StreamAMG, starting this month.
Cartier's 'Linked by Love' campaign wins the Grand Prix at the 2025 World Media Awards.
The National Union of Journalists has launched a new campaign and urges engagement from freelances.
Motorsport Vision has acquired Motorsport News from Kelsey Media, a weekly title for the UK motorsport scene.
The Platinum Card By American Express has partnered with Esquire UK for a series of new live events, Esquire Sessions.
Reaction to the murder of Charlie Kirk last week has highlighted tensions over free speech in the USA.
Grazia has announced it is to be published in a perfect bound format from the 30 September Issue.
Exact Editions provides a new, fully searchable window into The Illustrated London News, The Illustrated War News, The Graphic & The Sphere.
The PPA has launched a new Emissions Calculator to help sector track and reduce carbon impact.
EKCS and Xpance have announced they are to offer publishers a fully AI-integrated ad production solution.
Tony’s Chocolonely has won Immediate's sustainable advertising competition, securing a £200,000 campaign.
The PPA has warned the ICO that its adtech plans risk undermining the publishing industry.
Tom Bureau has announced that he is stepping down from Hubert Burda Media and will be leaving his roles as CEO BurdaInternational and chair of Immediate.