TIME Reveals inaugural TIME100 Creators
TIME has revealed the inaugural TIME100 Creators, a list recognizing 100 of the most influential digital voices.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
TIME has revealed the inaugural TIME100 Creators, a list recognizing 100 of the most influential digital voices.
The CEO of the Professional Publishers Association has commented on Royal Mail reforms.
Kennedy Publishing has announced the launch of The 100 Greatest Premier League Players.
Hearst UK has launched Made Club, a new membership proposition where ‘makers’ can meet, share and inspire.
Informa has announced the addition of Art Monte-Carlo, a premier contemporary art event on the Cote d’Azur, to its Luxury and Lifestyle portfolio, Informa Prestige.
Ahead of InPublishing’s ‘celebration of print’, James Evelegh muses on the special qualities of the medium.
Forbes has announced a year-long campaign called “Forbes 250: A Celebration of the American Dream”.
Bauer Media has announced the appointment of Paul Broughton as new head of people - UK publishing.
Empire Magazine has created a world exclusive with first-ever light-up cover for Tron Ares special edition august issue.
Intermedia Brand Marketing Ltd has announced the acquisition of Gordon & Gotch Publishing Ltd.
Paula Hawkins’ book claims top spot in the Summer Collection, whilst seven other novels are named ‘Reader Favourite’ as part of GH’s new accreditation programme.
The latest AOP CRUNCH event was titled, ‘Investing in the future: How wider perspectives lead to inclusive narratives and engaged audiences’. The AOP’s Richard Reeves picks out the main talking points.
The Stationers’ Company has announced Doug Wills as new master.
Publishers have the opportunity, and responsibility, to make a positive impact on the climate change debate.
Kennedy Publishing has strengthened its partnered with Mattel to publish Monster High Magazine.