Egmont launches BinWeevils magazine
Egmont Publishing Group has further expanded its magazine portfolio with the launch of Bin Weevils magazine.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Egmont Publishing Group has further expanded its magazine portfolio with the launch of Bin Weevils magazine.
As part of its BRIT’s partnership, Company magazine invited six BRIT School Students to guest edit the music section of the magazine’s March issue.
T3, Future’s leading technology and lifestyle brand, has published its own combined circulation figure across print and digital editions.
The ABC yesterday released the consumer magazine circulation results for the July – December 2011 period and publishers have responded with their interpretation of the figures.
The Publishing Futures Live workshop will now be held on Tuesday 27 March at the Institute of Directors.
Total Film has partnered with mobile image recognition and augmented reality platform Blippar, to create the “ultimate” interactive print issue.
To celebrate Kylie Minogue’s 25th year in the industry, women’s fashion and lifestyle weekly Stylist invited 25 of the world’s greatest designers to dress her. Stylist’s fifth glossy fashion issue is the most epic yet, say the publishers.
The Vogue Festival 2012 in association with Vertu, has releasesd 100 Limited Edition Gold Card tickets, available for one week only in advance of general ticketing.
The Co-operative Food is to launch a new bi-monthly in-store magazine and a bi-monthly digital magazine in March.
Incisive Media staff took the opportunity of questioning the company's senior management in a live online programme broadcast last week.
Immediate Media Co has appointed Steven Seaton as Managing Director of its London Specialist division.
Hearst Magazines UK has announced the appointment of David Parker as Publisher of one of its best performing magazines - Prima.
Harper’s Bazaar has announced that its Beauty Director, Newby Hands, has taken on a new contributing role as Beauty Director-At-Large while she pursues other consultancy work in the beauty industry.
Felix has been diagnosed with cancer of the pharynx (throat). Following surgery in an Oxford hospital last week, all being well, he should be discharged from hospital within 10 days.
CDS Global has announced Pierrick Guinguené as its permanent chief technology director for CDS Global UK and Australia.