Best relaunches
The National Magazine Company’s weekly women’s title Best, is this week relaunching with a bumper-sized new look issue.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
The National Magazine Company’s weekly women’s title Best, is this week relaunching with a bumper-sized new look issue.
Wellbeing is a new one-shot, published by Boston Hannah, in partnership with the Wellbeing of Women health research charity.
Parents should take a driving lesson or two before teaching their teenagers to drive, says the What Car? Driving School.
Imagine Publishing’s photography title turns 100 this September and comes bagged with one of five collectable aluminium art prints.
Emap has announced the purchase of The Energy Event and its related magazines from Eamonn Brennan and Neil Western of Western Business Media.
Leading cosmetics brand Clinique is supporting the launch of NEW Repairwear Laser Focus Wrinkle & UV Damage Corrector with an augmented reality campaign in Marie Claire.
United Business Media has announced that it has agreed to acquire UM Paper, an information and analytical services business, from Samwell Group on behalf of RISI, UBM's forestry and paper industry intelligence business.
The October issue of FHM includes a 100-page fashion and style magazine FHM Collections and stars the cast of The Inbetweeners on the front and back of the magazine.
Combining state-of-the-art technology with history and heritage, Royal Mail is launching the world’s first ‘Intelligent Stamp’ through its latest issue of Special Stamps - Great British Railways.
Archant Herts & Cambs have launched an “innovative” new weekly newszine, called Scene.
Audience Management specialists CIRCDATA have taken on Steve Russell from Optima/CDS Global as their new Client Services Director.
The Orbital Marketing Services Group (OMSG) is changing the names of three of its businesses as part of a wider re-branding of its portfolio of companies and the introduction of fresh logos.
IPC Advertising has announced that Fiona Walford is to join its strategic business development team as one of three strategic business development directors, reporting directly to group trading director Ian Tournes.
Polestar Chantry has been awarded a 2 year contract with the National Magazine Company for fulfilment of magazine subscriptions for ten titles printed by the plant.
Haymarket Media has completed the sale of two specialist business-to-business titles and a jobs website to the Metropolis publishing group.