Patsy Kensit guest edits SHE Magazine
SHE magazine, the monthly women’s glossy published by the National Magazine Company, is this month guest-edited by actress Patsy Kensit.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
SHE magazine, the monthly women’s glossy published by the National Magazine Company, is this month guest-edited by actress Patsy Kensit.
Key Publishing has announced the launch of Airfix Model World, a new magazine for scale modellers, published under licence from Airfix.
iSUBSCRiBE is launching a new white-label website, in conjunction with UK high street retailers, Next.
Elcot Publications is to launch an exclusive new digital edition of The Business Magazine, its monthly publication for the Thames Valley and Solent business communities.
Faversham House, the Croydon-based multi-media company, has acquired the Utility Week portfolio from Reed Business Information (RBI).
Wallpaper* marks its move into short film-making for its sex-rated September issue.
United Business Media has announced that it has acquired The Route Development Group Limited (RDG) from its private shareholders on behalf of UBM Aviation for £8 million in cash and a further deferred consideration of up to £1.3 million payable over
CDS Global has published their report into ABC’s subscription highlights January to June 2010.
The Jan-June 2010 ABC figures for consumer magazines were released yesterday. Publisher statements, reaction and analysis are published below from the following: APA, Bauer Media, BBC, Dennis, Egmont, H Bauer, Haymarket, Hello, IPC, NatMag, PPA.
The August issue of olive magazine was reader generated! Editor Christine Hayes explains what this means and how they went about achieving it.
Cosmopolitan has partnered with Pantene Pro-V Aqua Light to launch a special collectors’ edition of its September 2010 issue.
The Institution of Mechanical Engineers (IMechE) has outsourced the magazine and web publishing activities of its publishing subsidiary, Professional Engineering Publishing (PEP), to Caspian Publishing.
PPA’s Independent Publisher Awards are the “ultimate” accolade for the achievements of independent publishers. They celebrate the dynamic contribution made to the publishing industry and the entrepreneurial spirit of the smaller publisher.
BBC Magazines is to launch ZingZillas Magazine, an “innovative” new children's title that aims to inspire pre-school children to make their own music and to help them learn about a wide variety of music styles and instruments.
Launched to coincide with the 70th anniversary of the Battle of Britain, Military Times is a “fascinating” new monthly magazine, priced at £3.95, that brings you the history of conflict – on land, at sea and in the air.