UBM Preliminary Results
UBM has released preliminary results for the year ended 31 December 2009.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
UBM has released preliminary results for the year ended 31 December 2009.
Future, the special interest media group, is strengthening the senior management of its event portfolio with the appointment of Chris Down as Event Director for The London Music Show.
Haymarket’s Campaign magazine has been inducted into Creative Circle’s Hall of Heroes.
Former St Ives technical director John Charnock has founded Print Research International, a one-stop knowledge base for the printing industry.
Royal Mail has launched a new initiative with information from the "eBay market data" programme to bring a new, unique insight to UK advertisers, enabling them to improve their targeting to the postcode areas most likely to buy their products.
Publishing Expo saw an increase of 12% in visitor numbers from 2009 for its 5th year at London’s Olympia on 24th – 25th February 2010.
Imagine Publishing has enlisted the editorial experience of Editor Rosie Tanner, to head up its successful print magazine, Digital Photographer, and website Dphotographer.co.uk.
iSUBSCRiBE has opened nominations for its annual publishing industry awards, The Maggies. This national poll celebrates and awards the best covers of the past year.
IPC Media chief executive Evelyn Webster has announced the results of a major tender process for the printing and binding contracts of a number of their popular consumer magazines.
Informa has released preliminary results for the year ended 31 December 2009.
Key Publishing has announced the acquisition of Britain’s longest established monthly aviation journal, Aviation News.
De Agostini has announced their first National launch for 2010 - Build Nelson's HMS Victory - which will go on sale on Wednesday 17th March 2010, supported by a £700,000 media campaign.
FIPP launched the first Innovations in Magazines World Report at its Digital Innovators Summit yesterday, in Berlin.
The definitive railway preservation and revival magazine Heritage Railway stokes up a fantastic new look next month, according to distributors COMAG.
Countryfile Magazine will next week unveil a fresh new look to strengthen its alignment with the increasingly popular Countryfile TV show.