Future releases interim results
Future plc, the international special-interest media group, has announced its interim results for the half-year ended 31 March 2009.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Future plc, the international special-interest media group, has announced its interim results for the half-year ended 31 March 2009.
Look, the fashion weekly, has partnered with the Isle of Wight Festival to launch the Look Pamper Parlour at this year’s event on 12th- 14th June.
LexisNexis, a leading global provider of information and workflow solutions, has announced that its Publishing Operations division has been credited with the Investors in People (IIP) award.
LexisNexis, a leading provider of information and business solutions, has announced the signing of two new agreements that are in addition to the products and services LexisNexis already supplies to HM Revenue & Customs (HMRC).
Terminator Salvation Comic introduces the terrifying Terminator to a whole new generation! Aimed at 12+ year old boys, there are, according to the publishers, comic strips, features and puzzles to enjoy, plus a high value covermount on every issue.
The global economic situation is impacting on key purchasing habits of the UK’s young men according to new findings from IPC Ignite’s rolling research programme, Today’s Man.
Future plc, the special-interest media group, has announced that the Group has successfully re-financed its bank facilities ahead of expiry in April 2010.
Chris Llewellyn, international managing director of Bauer Media, the UK subsidiary of Europe’s largest privately owned publishing group, has been appointed as FIPP’s new president and CEO, and will join the organisation later in the year.
In the midst of a global recession, with daily reports about the ‘demise’ of newspapers, a new report demonstrates that newspapers have a long-term future, says WAN, and provides an overview of what publishers are doing, and can do, to meet the chall
NME Radio yesterday announced its launch on London DAB. DAB is added to the station’s existing broadcast platforms – Sky, Virgin Media, Freesat and online via NME.COM.
Sharon Osbourne joins Love It! magazine as agony aunt this week!
Matt Teeman, Sales Director at BBC Magazines has been appointed Chairman of PPA Marketing Board with immediate effect.
The football footy weekly has produced two unique issues, commemorating the promotion of Peterborough United, and Leicester City’s League 1 title win.
Wallpaper*, the international design, fashion and lifestyle magazine, is publishing a special June issue, Made in China, for which the magazine temporarily moved its office to Beijing and Shanghai.
This week’s issue of the magazine was available yesterday for free for 24 hours on NME.COM.