The Publisher Podcast Awards 2026: winners announced
The Publisher Podcast Awards were held last week in London.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
The Publisher Podcast Awards were held last week in London.
Fabulous has announced that fashion and lifestyle creator Lorna is joining the team as its new star columnist, launching on July 19th.
The Stationers’ Company has announced Ian Leggett as new Master.
The World Media Group has announced a shortlist that reflects brand and media owner partnerships across all budgets.
Luxe magazine celebrates its 100th issue with a fresh new look.
Hosted by journalist, broadcaster and author Katty Kay, the new weekly podcast explores confidence, ambition and how to act in the face of fear.
The new 2026 IPA TouchPoints data launch marks the 20th anniversary of the IPA TouchPoints dataset.
Good Food joins the national "Bang In Some Beans" campaign with a new media partnership to double UK bean consumption.
The PPA, Publishers Association, Booksellers Association and EPC have jointly called on the Government to seek an exemption for books, magazines and journals from the EU's new €3 customs charge on small parcels.
Time Out has strengthened its long-standing partnership with ITP Media Group through new 10-year agreement covering Hong Kong and Singapore.
The Economist’s audio and video journalism now available as a new subscription tier in Canada, Denmark, Norway and Sweden.
Air Business will be providing integrated subscription, customer experience and distribution services to What on Earth! Magazine.
Most publishers publish newsletters, but do they do them well? James Evelegh listens to some advice from newsletter experts.
Nectar360 becomes first UK Retail Media Network to achieve IAB Europe Certification following independent ABC audit.
Hero Media & Entertainment Ltd acquires Scottish Bar & Pub Awards, DRAMScotland.co.uk and HotelScotland-online.co.uk.