Redactive wins IET publishing contract
The Institution of Engineering and Technology (IET) has outsourced production of its global media brand E&T to content and publishing agency Redactive.
Customer publishing is the part of the industry most readers never think of as publishing. Membership magazines, airline and supermarket titles and the content agencies behind them reach millions of people, often with circulations that consumer titles would envy.
The purpose is different too. A membership magazine is usually there to keep members renewing, and a brand title has to show a return for the client paying for it. That creates a running question about independence, and the strongest titles tend to have an editorial identity of their own rather than sounding like the organisation behind them.
If there’s something customers don’t need more of today, it’s content.
Jackie Scully Customer media
The agencies have changed shape around this. They produce fewer print editions and more digital content, and put far more effort into distribution and income generation, while publishers' own branded content studios compete for the same budgets. Print still matters, though. Members continue to rank the magazine among the benefits they value most.
Below you'll find some of our best feature articles on customer and contract publishing, from membership magazines and in-flight titles to content agencies and branded content studios, alongside our latest news and industry commentary.
We asked Jackie Scully, managing director at Think, what does best practice publishing look like in customer media? This is what she said…
The National Trust is a treasure trove of historic and beautiful places, and, unsurprisingly, it has a huge membership. One of the benefits of membership is its highly regarded magazine…
Content marketing is all the rage, and companies like River, that have been doing it for over twenty years, are highly expert at it. River CEO Nicola Murphy tells Jo Bowman that while quality content is the bedrock of the company, it’s the marketing
Content has become mission-critical for many membership organisations. But, Mike Sewell asks, should this valuable asset be regarded as an exclusive member benefit, or used as a marketing tool?
Lots of publishers are now offering club style membership schemes, looking to generate extra revenue and deeper engagement. Dickon Ross looks at the membership model.
Ann Hartland, group business and strategy director, Cedar Communications, tells Ciar Byrne about how the customer media sector is managing the digital transformation journey.
What does the future hold for customer media? CPL One’s Sarah Simpson, looks ahead.
Spring hasn’t sprung until CRUNCH takes place, writes Richard Reeves, MD of the Association of Online Publishers, which recently held its first CRUNCH event of the year. The mood was suitably optimistic for a change of season.
The Institution of Engineering and Technology (IET) has outsourced production of its global media brand E&T to content and publishing agency Redactive.
For many publishers, the printed magazine remains their flagship offering. In challenging times, what can they do to get the best possible return on their print investment? We ask The Manson Group’s Chris Ferrari-Wills.
As publishers begin to shift away from a reliance on viewability and attention metrics alone, we grab 5 minutes with Sean Adams, global insights director at Brand Metrics, to talk about another important metric: brand lift.
The Stationers’ Company has announced the shortlist for the 2023 Innovation Excellence Awards.
The Stationers’ Company has announced the election of Tony Mash as Master.
The PPA have announced the winners of the PPA Awards 2023.
The adaptive streaming tech platform and the global integrated ad specialist will enable emissions minimization and increased efficiency for clients’ campaigns.
The PPA has announced the selection of its inaugural Next Gen Board.
AOP has announced the winners of the Digital Publishing Awards 2023.
AOP and Deloitte have released the latest Digital Publishers’ Revenue Index.
Atex has announced that The Jewish Chronicle has adopted Desk and the Atex headless Web CMS to build a unified content workflow.
PubMatic has agreed a new partnership with SeenThis to deliver digital advertising while minimising carbon emissions.
Clients can now measure data transfer and related carbon footprint, with performance insights, at creative, campaign and agency level.
Argonon branded content label Nemorin appoints Darren Smith as chief content officer.
Publishers have to work hard to convince brands to spend their advertising budgets with them. A key part of this is being able to demonstrate brand uplift whatever the size of the campaign.