Lumen releases report from PwC
Lumen says it is the first company to be assessed by the global consulting firm PwC on the ROI of attention technology.
Customer publishing is the part of the industry most readers never think of as publishing. Membership magazines, airline and supermarket titles and the content agencies behind them reach millions of people, often with circulations that consumer titles would envy.
The purpose is different too. A membership magazine is usually there to keep members renewing, and a brand title has to show a return for the client paying for it. That creates a running question about independence, and the strongest titles tend to have an editorial identity of their own rather than sounding like the organisation behind them.
If there’s something customers don’t need more of today, it’s content.
Jackie Scully Customer media
The agencies have changed shape around this. They produce fewer print editions and more digital content, and put far more effort into distribution and income generation, while publishers' own branded content studios compete for the same budgets. Print still matters, though. Members continue to rank the magazine among the benefits they value most.
Below you'll find some of our best feature articles on customer and contract publishing, from membership magazines and in-flight titles to content agencies and branded content studios, alongside our latest news and industry commentary.
We asked Jackie Scully, managing director at Think, what does best practice publishing look like in customer media? This is what she said…
The National Trust is a treasure trove of historic and beautiful places, and, unsurprisingly, it has a huge membership. One of the benefits of membership is its highly regarded magazine…
Content marketing is all the rage, and companies like River, that have been doing it for over twenty years, are highly expert at it. River CEO Nicola Murphy tells Jo Bowman that while quality content is the bedrock of the company, it’s the marketing
Content has become mission-critical for many membership organisations. But, Mike Sewell asks, should this valuable asset be regarded as an exclusive member benefit, or used as a marketing tool?
Lots of publishers are now offering club style membership schemes, looking to generate extra revenue and deeper engagement. Dickon Ross looks at the membership model.
Ann Hartland, group business and strategy director, Cedar Communications, tells Ciar Byrne about how the customer media sector is managing the digital transformation journey.
What does the future hold for customer media? CPL One’s Sarah Simpson, looks ahead.
Spring hasn’t sprung until CRUNCH takes place, writes Richard Reeves, MD of the Association of Online Publishers, which recently held its first CRUNCH event of the year. The mood was suitably optimistic for a change of season.
Lumen says it is the first company to be assessed by the global consulting firm PwC on the ROI of attention technology.
The lastest Advertising Association / WARC Expenditure Report shows inflationary pressures persist with minimal growth forecast for 2023.
The AOP have announced the finalists for the 2023 Digital Publishing Awards.
According to the report, digital ad spend is resilient in face of challenging 2022 as market grows 11% to £26.1bn.
EKCS has announced the appointment of Jennifer Kisser who joins the company as a strategic solutions consultant.
Companies’ total UK marketing budget growth hits one-year high.
The PPA has announced the appointment of Jane Wolfson as chair of the PPA Next Gen board.
AdvantageCS has announced the launch of Cider Plus, the next generation of their Cider eCommerce solution.
At the end of March, the PPA published the shortlist for its annual awards.
Three years of rising costs has put strain on the printer / publisher relationship. We grab some time with Acorn Web Offset’s Matt Carry to look at the current state of play and the outlook for the future.
Adnami’s partnership with Schibsted and Amedia in the Nordics follows recent new appointments as it continues its expansion.
Redactive has announced that it has become an employee owned business, and is now majority owned by the Redactive Media Group Employee Ownership Trust.
A new official board of under-30s are being recruited to advance the publishing sector.
CPUK Print Publishing, specialists in the design of print and digital magazines, has announced the appointment of Polly Bibby to join their design team.
The latest Digital Publishers’ Revenue Index reveals that publishers’ digital revenue was up by 3% in Q4 2022.