British Vogue’s May issue features disabled cover stars
British Vogue’s ‘Reframing Fashion’ issue features Sinéad Burke, Selma Blair, Aaron Rose Philip, Ellie Goldstein, and Justina Miles as cover stars for May.
Most publishers can now tell you how diverse their workforce is. Fewer can say whether the people they hired are still there five years later, or whether anything changed on the page as a result.
That gap is where the useful work happens. Immediate audited its business, published an ethnicity pay gap report and moved to blind recruitment. News UK rebuilt its intake around apprenticeships rather than graduate schemes, which shifted its gender and ethnicity mix and kept 80 per cent of recruits. Class is the stubborn one: only a small minority of journalists come from lower socio-economic backgrounds, and unpaid internships keep it that way.
If their only chance of promotion is to ape the bosses’ thinking, then your efforts will fail.
Joseph Harker Diversity: more than just a numbers game
Content is the other half. Inclusive coverage has opened up new audiences for some titles, and misjudged coverage has damaged trust for others. Small publishers have shown it doesn't take a big budget to make a start.
The worry now is drift. Industry surveys show diversity slipping down the list of priorities for a third year running, just as publishers chase the younger and broader audiences it would help them reach.
Below you'll find some of our best feature articles on diversity in media, from recruitment, apprenticeships and class to representation, age and inclusive content, alongside our latest news and industry commentary.
Making UK media more diverse is not simply a question of employing more people from different backgrounds. The jobs you give them and the way you treat them is equally important.
The latest AOP CRUNCH event was titled, ‘Investing in the future: How wider perspectives lead to inclusive narratives and engaged audiences’. The AOP’s Richard Reeves picks out the main talking points.
Paying lip service to improved diversity and inclusion is one thing, putting someone in charge of putting it right is another. Ridhi Radia, who was given that role at Immediate Media, explains why ED&I matters and outlines the steps they have taken.
Are we ready to admit it?, asks Mark Hudson. The journalism pipeline is broken. To fix it, News UK is investing heavily in its apprenticeship scheme, which has brought fresh and diverse new talent into the business.
The results are in for the AOP’s annual ‘Digital Publishing: Outlook and Priorities’ survey. Richard Reeves summarises the main findings.
In terms of female representation in the newsroom, progress is being made, but we mustn’t get complacent because there is still lots of work to be done. For a start, says Jem Collins, we need to broaden our definition of diversity and accessibility.
As an industry, we often talk a good game when it comes to diversity but are we putting up barriers to prospective non-middle-class journalists?
Most forms of discrimination are experienced by minority groups; a few by majority groups. But there’s one that could potentially affect all of us and that’s ageism, laments Dickon Ross.
Research suggests that diverse companies are more commercially successful than non-diverse ones. What do publishers need to do to improve their diversity and, thereby, profitability?
Diversity and inclusion should not be an ‘initiative’ but should be hardwired into your everyday. That, writes Ciar Byrne, is the approach taken by Uwern Jong, founder and editor-in-chief of OutThere.
British Vogue’s ‘Reframing Fashion’ issue features Sinéad Burke, Selma Blair, Aaron Rose Philip, Ellie Goldstein, and Justina Miles as cover stars for May.
The PPA has announced the appointment of Jane Wolfson as chair of the PPA Next Gen board.
Parul Kumar has been appointed Frontiers’ chief operating officer.
James Evelegh picks out some takeaways from the March / April issue of InPublishing magazine.
Richard Reeves, AOP’s managing director, summarises the key takeaways from their latest research project, ‘Digital Publishing: Outlook and Priorities for 2023’.
It’s one thing to have a mission statement, it’s quite another to actually allocate resource to delivering on it. That’s what TTG has done by appointing Sophie Griffiths as its first chief purpose officer.
After eight years, gal-dem has announced that it will be closing.
The Scott Trust has published a review into the Guardian’s historical connections with transatlantic slavery, issuing an apology and outlining a programme of restorative justice.
Bristol-based Our Media has announced it has entered a new corporate partnership with West of England Centre for Inclusive Living.
impact.com has announced the appointment of Michelle Denman as new chief people officer to lead people growth and excellence.
PinkNews have announced they are to host a virtual Trans+ Summit for workplace professionals seeking foundational trans issue knowledge.
Online abuse of journalists, particularly of women journalists, is one of the greatest threats facing our industry.
An industry-wide survey conducted by Women in Journalism and Reach reveals that 75% of women journalists have experienced a threat to their safety.
James Evelegh picks out some takeaways from the January / February issue of InPublishing magazine.
At a ceremony at Stationers’ Hall on Wednesday, 22 February 2023 the Master of the Stationers’ Company, Moira Sleight, signed the Company’s Diversity Pledge.