The New European rebrands to The New World
The New European expands its mission and rebrands to The New World in an ambitious new chapter.
The New European expands its mission and rebrands to The New World in an ambitious new chapter.
Data Bill: Government abuses parliamentary procedure to “shaft the creative industries”.
The Independent has unveiled its annual Pride List, as part of its ongoing commitment to champion and celebrate the LGBT+ community.
The Sun has announced Jack Elsom as political editor.
Could this be the defining political / media battleground in the advance towards the next election in the wake of Starmer’s Strategic Defence Review, unveiled to decidedly mixed reviews not just in the enemy camps but among the ranks of his own MPs?
Time Out India is to launch later this year.
Welcome to our ‘content creation’ special, in which leading publishers and suppliers give us strategy insights and best practice tips for efficient content creation.
Iliffe’s priority when building its workflows is to get digital right above all else and then focus on the most effective way of producing print pages after that, says Ian Carter.
The challenge is to strike a balance between maintaining and growing our print readership, whilst satisfying a digital audience who expect unique content across our socials, website and newsletter, says Loma-Ann Marks.
Using hidden tags is the key to unlocking the key insights that will help you shape your content strategy, says Stewart Robinson, managing director at Full Fat Things.
To ensure we are continuously improving our branded content offering, we aim to launch new formats on a regular basis, says Arianna Chatzidakis, creative content director.
Content is more than just articles! The most valuable thing we offer isn’t always a piece of writing, says Luke Nicholls, publisher of edie.
A well-defined imaging strategy helps publishers of all sizes maintain visual quality without overloading teams, says Derek Milne, commercial pixometrist at Pixometry.
We know that streamlined collaboration and the integration of digital asset management and multichannel publishing tools can reduce content production time by 40%, says Jeroen Goemans, managing director (EMEA) at WoodWing.
Great content management doesn’t come from flashy features – it comes from understanding your editorial process and choosing tools that elevate it, says Atex's Sara Forni.
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