The Rugby Paper launches in Scotland this Sunday
During the Heineken Cup and ahead of the Scottish rugby Autumn Internationals, The Rugby Paper launches in Scotland on Sunday 20th October.
The newspaper business was built for a world where one product served everyone and advertising paid for most of it. That model has gone. What replaces it is still being worked out title by title, from national groups to weeklies covering a single town.
Reader revenue is the clearest shift. Even Reach, which argued for free access for years, now puts some of its journalism behind a paywall, and the regional titles doing best changed their newsrooms before they asked anyone to pay. Ownership keeps changing too. National World rebuilt local editorships after years of centralisation, and the Observer is being reinvented as a premium print and digital title under new owners.
The strongest publishers understand the difference because they are not trying to be everything to everyone. They are trying to be essential to someone.
Chris Sherrard News media
Local news is where the pressure shows most. Millions of people now live without a dedicated local title, and new reader-funded and membership startups are moving into the gaps. Platforms are pulling back from news at the same time, which leaves trust and a direct relationship with readers as the assets that matter most.
Print hasn't disappeared either. Well-run weeklies still hold on to their readers, with circulation falling slowly while digital audiences grow.
Below you'll find some of our best feature articles on news media, from reader revenue and newsroom change to ownership, local news and trust, alongside our latest news and industry commentary.
Where is the growth opportunity for today’s publishers? Douglas McCabe tracks how the commercial model has evolved over the past fifty years and examines whether a better understanding of what online audiences want, will help drive future growth.
We asked Chris Sherrard, editor-in-chief of The Irish News, what does best practice publishing look like in news media? This is what he said…
After years of resisting paywalls, Reach is now launching them across its titles. But David Higgerson, Reach’s chief content officer, carefully avoided the word ‘U-turn’ when interviewed by Steve Dyson.
It’s one thing to think that readers should pay for your journalism, but the reality is that unless you improve your offering, then you will struggle to start charging for it, as DC Thomson Editor-in-Chief Frank O’Donnell tells Ciar Byrne.
How can you edit a regional newspaper when you never visit the area you’re writing about? By filling it with generic content, an approach that National World’s David Montgomery, the new owner of JPI Media, is rapidly doing away with.
Ray Snoddy talks to Co-CEO Rich Furness about the thinking behind Tortoise Media’s acquisition of the world’s oldest Sunday newspaper and about their plans for its future.
What’s the outlook for national news media in 2024? Christian Broughton, CEO of The Independent, looks ahead.
There is a new generation of entrepreneurs launching local media businesses, bringing with them new ideas on business models and funding. Phil Clark looks at some of the stand-out examples.
With Meta backing away from ‘news’ and AI accelerating the growth of disinformation, we need to redouble our efforts to safeguard access to quality journalism, says News Media Association Chief Executive Owen Meredith.
East Lothian is not just the best place to live – it has the best newsbrand too. Alan Geere heads over the border to find out what’s happening in the world of Scottish weeklies.
During the Heineken Cup and ahead of the Scottish rugby Autumn Internationals, The Rugby Paper launches in Scotland on Sunday 20th October.
For the second year running, the European Publishers Council (EPC), representing Europe’s leading media organisations, has published the EPC Global Media Trends Book.
Marketers continue to gradually increase their global ad spending, as expenditures grew 3.5 per cent in the second quarter of 2013 and 2.8 per cent on a year-over-year basis for the January-June periods of 2013 and 2012, according to Nielsen’s quarte
Hearst Magazines UK has unveiled research that shows magazine readers consume digital editions in a similar way to print editions, but have much higher expectations of interactivity.
Simon Kippin, Publishing Director of Glamour, has decided to retire at the end of March next year, it was announced yesterday by Nicholas Coleridge, President of Condé Nast International and Managing Director of Condé Nast Britain.
Egmont UK has announced their latest acquisition. The publisher has acquired publishing rights for Sonic the Hedgehog in the UK & Eire, Australia and New Zealand.
olive magazine celebrates its 10th anniversary with a special November issue.
Daphne’s Diary, a new six weekly magazine, goes on sale on 22 October, priced £4.99.
DC Thomson title, The Courier, is partnering the Royal Scottish National Orchestra (RSNO) and Wellgate Shopping Centre to bring classical music to the people of Dundee and beyond.
Immediate Media Branded Content have produced and launched a new travel and lifestyle digital magazine showcasing the spectacular Turks & Caicos Islands in the Caribbean.
Future has announced the launch of a new conference and award ceremony in the creative and design sector – The Impact Conference and Brand Impact Awards.
Telegraph Media Group (TMG), publisher of The Daily Telegraph, The Sunday Telegraph, The Telegraph and The Telegraph weekly world edition, has announced that it has acquired QP magazine and Salon QP as part of its events portfolio.
Steve Auckland, CEO of Local World, has announced his resignation to the Board.
Gathered by Mollie Makes, the international, fully interactive digital-only craft weekly from the team behind Mollie Makes, released a free issue on Friday to mark its first birthday.
According to the publishers, the September ABCs saw Guardian and Observer print sales outperform the entire market.