The Observer appoints Jack Riley
The Observer has announced Jack Riley as chief customer officer.
The Observer has announced Jack Riley as chief customer officer.
DC Thomson has announced the appointment of Ella Dolphin to the newly created role of deputy CEO.
Wilmington plc’s Chair, Martin Morgan, retires.
Caron Bradshaw OBE has been confirmed as the new chair Impress.
Making money from video is something many publishers are trying to do. Simon Elliott offers some insights and top tips into how this can be done.
Flashes & Flames Media Ltd, publisher of a weekly subscription newsletter on media, business information and events, has acquired the assets of Media Voices. The terms are not being disclosed.
Reach has announced near-term Science-Based Targets, setting its path for net zero.
Jim McGinty joins Incisive Media as managing director.
Business Insider has announced the hire of Priscilla Ellington to lead its new events business, BI Live.
James Evelegh picks out some takeaways from the March / April 2025 issue of InPublishing magazine.
2024 was an odd and messy year, writes Jim Bilton. Many publishers felt that they had simply lost control of their businesses in a roller-coaster environment, which was looking increasingly volatile, both politically and economically.
There is a new generation of entrepreneurs launching local media businesses, bringing with them new ideas on business models and funding. Phil Clark looks at some of the stand-out examples.
While the big guns of the regional press study the gloomy portents about ‘news aversion’ and ‘platform resets’, the independent sector of smaller publishers are still queuing up to have a go, as Alan Geere reports.
Every year, the AOP surveys digital publishers and their solutions providers to get a cross-section of the industry’s outlooks and priorities. Richard Reeves looks at the key trends from this year’s survey.
In the pre-digital age, journalism carved out its own special marketplace by convincing society and policymakers of its unique worth. It’s now time for journalism to create the equivalent for the digital age, says Douglas McCabe.
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