Haymarket launches new publishing event
The inaugural Campaign Publishing Summit, on 3 December, aims to bring together business leaders and commercial, marketing and product experts from the leading publishers in the UK.
Events have become one of the most valuable things a publisher runs. For many B2B publishers they now bring in more than half of all revenue, and consumer brands are filling exhibition halls with readers who want to meet the magazine in person.
Publishers start with an advantage that pure event companies lack. They already know the audience and have the editorial credibility to build a programme people want to attend. What separates a successful show from an expensive one is mostly discipline, from planning a year ahead to securing next year's exhibitors before this year's have packed up.
Those publishers who never stopped investing in editorial now have a large competitive advantage.
Tim Willoughby Putting on successful events in 2023 and beyond
In-person is firmly back, and hybrid has settled into a supporting role. The bigger opportunity is turning a one-off event into a year-round community, with membership, content and data that earn money between shows.
Technology is changing the back office as well. emap now uses AI agents for awards feedback and for scripting that used to take a full day.
Below you'll find some of our best feature articles on events for publishers, from conferences, awards and trade shows to sponsorship, consumer shows and event technology, alongside our latest news and industry commentary.
Strengthening bonds with subscribers, making them feel special and giving them opportunities to spend money is at the heart of Good Housekeeping Live, as Ciar Byrne discovered when she attended in November.
The events sector has been on a rollercoaster ride these past few years and the nature of events and what commercial partners and visitors expect from them has changed. What do event organisers need to do to ensure a successful future?
The live events sector has recovered well from the trauma of the pandemic but is having to adapt to a range of new challenges and opportunities. Jim Bilton looks at where the sector is heading.
A successful trade show is one that you can repeat year after year and that means starting to plan next year’s event before the doors for this year’s have even opened, says Tim Willoughby, managing director of MA Exhibitions.
Two of the things conference attendees most want are actionable insights and networking opportunities, says Simone Broadhurst, group event director at emap.
In many sectors, the gender balance still isn’t right, which means that women are often not getting the recognition they deserve One way to address this is to launch women’s awards events, says Simone Broadhurst.
Organisers are increasingly focused on making money in between their events by offering a range of paid-for services. Carolyn Morgan examines some case studies of successful ventures and offers ten tips to organisers looking to do something similar.
Steve Russell, director at Fusion Events, tells us what best practice looks like in the world of event organisation.
Right now, says Robin Booth, most of us use AI like a very clever search engine or copy assistant. That’s fine but the real power comes when we start building systems.
The inaugural Campaign Publishing Summit, on 3 December, aims to bring together business leaders and commercial, marketing and product experts from the leading publishers in the UK.
In its sixty plus years of publishing, the last ten have seen the most upheaval for TTG. An MBO followed by an ongoing process of review, re-evaluation and repositioning has seen the independent publisher grow, both in headcount and turnover.
Incisive Media has appointed Ebru Smith as associate editor of Investment Week, spearheading the content development of its conference and awards programmes.
Elle, Hearst’s fashion and style media brand, has announced a new format for its annual Elle Weekender.
The Financial Times has announced the appointment of Orson Francescone as managing director of FT Live.
Real Response Media Limited (RRM) has acquired the assets of Air Transport Publications (ATP).
The Guardian has launched a new competition for emerging artists, with the winner receiving a paid commission to design illustrations for the Guardian’s presence at Glastonbury festival 2020.
Asian Media Group decided to transition from manual systems to specialist software to manage their events and chose Evessio’s event management system.
BBC Good Food is celebrating its 30th birthday with a bumper anniversary issue, the brand’s first-ever cookery class pop-up and the launch of the BBC Good Food Podcast with Tom Kerridge.
UK magazine publisher Dennis has chosen to use Evessio’s event management software to run its circa 65 events per year.
The PPA’s quest to improve their events by offering has led them to partner with Evessio for their events management software.
DC Thomson Media has introduced the role of Chief Revenue Officer to the business, to focus on commercial activities that generate revenue across the newspaper and magazine teams.
The border busting reality of digital publishing has radically altered the traditional licensing model. But opportunities still abound to leverage your brand in overseas markets. Peter Houston reports.
The new City AM Club offers readers of the financial daily a host of lifestyle perks and discounts. Ciar Byrne talks to COO Harry Owen about why they launched the club and what they hope to achieve.
MediaFund has announced the sale of Scotland Magazine, Scotland’s Best, Ireland’s Best and the Scottish Hotel Awards, assets of Paragraph Publishing, to The Chelsea Magazine Company.