3x3 magazine launches digital archive
Contemporary illustration magazine 3x3 has launched a modern digital archive available for subscription in collaboration with Exact Editions.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Contemporary illustration magazine 3x3 has launched a modern digital archive available for subscription in collaboration with Exact Editions.
Monthly magazine, Tabletop Gaming, is to relaunch next month and will include new features.
The report shows that 74% of the UK’s leading media companies are currently seeing turnover growth, at an average rate of +10% year-on-year.
At a ceremony at Stationers’ Hall on Wednesday, 22 February 2023 the Master of the Stationers’ Company, Moira Sleight, signed the Company’s Diversity Pledge.
For Prince Harry, the press is the cause of all of his and Meghan’s problems. As Dickon Ross points out, it’s not quite as simple as that.
When sizing up potential acquisition targets, Nutracheck, a subs-based diet platform, looked like a good match for Immediate Media. Food, check; subs, check; growth potential, check. Sean Cornwell reveals the thinking behind the acquisition.
Welcome to the biggest ever Spotlight column! Six magazines, a total of 1,664 pages weighing in at 6.5kg (one stone in very old money) that will relieve your piggy bank of £57.89. So, lots to like about ‘Style’ magazines, as Alan Geere finds out.
Travel publishing has had a rocky ride in recent years, but George Kipouros, CEO of the company behind Wanderlust, says fortunes are on the up, reports Laura Silverman.
What’s the outlook for consumer media? Hearst UK Chief Commercial Officer Jane Wolfson looks ahead.
If you’re considering launching a digital edition but are not 100 per cent sure that it’s the right thing to do, here’s some advice from BlueToad’s Paul DeHart.
The board of Future plc has announced the appointment of Jon Steinberg as chief executive officer following a thorough search process.
Brand Metrics has announced it has bolstered its client services team with the appointment of Agnes Asplund Schmidt as customer success manager.
Last month Future Publishing announced the appointment of two senior sales hires to support its accelerated growth.
The company says it maintains strong earnings, driven by return to live events.
Libraries can now subscribe to the fully-searchable digital edition of Tricycle: The Buddhist Review, delivered through digital publishing services platform Exact Editions.