Forbes unveils 30 Under 30 Europe 2023
Forbes 30 Under 30 Europe class of 2023 highlights the young trailblazers driving change across the region.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Forbes 30 Under 30 Europe class of 2023 highlights the young trailblazers driving change across the region.
Readly, a digital magazine and newspaper subscription app, has partnered with Unidays, one of the world’s largest student identity platforms.
The Stationers’ Warrant, now in its 9th year, has established itself as a mark of recognition highlighting excellence within our industries.
Lumen Research expand US operations with sales and customer success hires.
Mensa UK have announced the launch of IQ, a new magazine for Mensa members.
Time Out Group has announced that Stacy Bettman has been appointed Time Out Media CEO.
NVM Private Equity announces the sale of the Northern VCT’s stake in the media software company, Lineup Systems to US based Chartbeat backed by Cuadrilla Capital.
Musicals, a new magazine from Mark Allen Group, is available for digital subscription through publishing service platform Exact Editions.
knk Software LP and The Pilgrim Press have announced the successful implementation and go-live of knkPublishing.
Immediate Media have announced the launch of new Encanto magazine to add to their Disney magazine portfolio.
Marketing services is the fastest growing revenue stream for many publishers, says Affino CEO Markus Karlsson, and the way to optimise performance in this area is through automation.
The new hires in Germany come as the company attracts new clients in the DACH region.
NME has announced the launch of NME Screens, a new global NME brand activation that creates exclusive film and TV experiences for NME’s entertainment fans.
Timed to its 100th anniversary on March 3, TIME launches its year-long centennial celebrations with an editorial project on the influence of TIME covers since 1923 and looks ahead to its next century.
Hearst UK has announced the return of Harper’s Bazaar’s International Women’s Day event for 2023.