Literary magazines
Read all about it! It appears the appetite for books and culture is undiminished by world turmoil and strife. Alan Geere explores the world of literary magazine publishing.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Read all about it! It appears the appetite for books and culture is undiminished by world turmoil and strife. Alan Geere explores the world of literary magazine publishing.
A new report, ‘Data-Driven Supply in Newspapers & Magazines’, digs into how the old print and retail supply chains are adapting to the new world of digital, data-driven, direct-to-consumer media activity.
The once print-centric mass market magazine publishing business has been toiling away at transitioning to digital-first, and expanding revenue bases. That hard work is starting to pay off.
Recurring revenues from a new subs or membership offering are a welcome revenue stream but setting one up takes considerable effort. Carolyn Morgan outlines the steps publishers need to take.
Research suggests that diverse companies are more commercially successful than non-diverse ones. What do publishers need to do to improve their diversity and, thereby, profitability?
Design can make or break your publishing brand, so it’s worth putting in the time to get it right. There are four key areas that publishers need to focus on, says Andy Cowles.
Publishers continue to wrestle with the issue of how to maximise a user's time on site and improve engagement and interaction. We grab 5 minutes with Apester's Anya Libova to discuss what they should be doing.
If publishers can deliver attentive audiences, ad dollars will follow. We grab five minutes with Adnami UK MD James Upson to hear how attention can drive value for your media.
Hearst UK has announced the launch of the Country Living Marketplace, a new online shopping destination for high-quality artisan products, which builds on the brand’s direct-to-consumer offering.
Atex has announced the appointment of Michele Alessandrini as Chief Technology Officer. He will direct the new Cloud Competence Centre and report to CEO Federico Marturano.
Retention makes the subscriptions world go round. Here are some top tips on how you can improve your retention rate.
The boards of directors of the Alliance for Audited Media and BPA Worldwide have unanimously approved a plan for the two companies to merge.
Signature Publishing has partnered with Hasbro to publish PJ Masks magazine, based on their hit pre-school property.
Time Out has become P&O Cruises exclusive new exploration partner. The new agreement sees Time Out become a prime provider of travel content for P&O Cruises across all of its destinations.
Data is the key to unlocking revenue growth, but for many publishers, getting their hands on the data they need is a struggle. Brand Metrics’ Sean Adams looks at how publishers can access and visualise their data more effectively.