Society welcomes solicitors warning notice on SLAPPs
The Society of Editors has welcomed the publication of a warning notice by the Solicitors Regulation Authority.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
The Society of Editors has welcomed the publication of a warning notice by the Solicitors Regulation Authority.
ELLE UK and Cambridge School of Visual & Performing Arts (CSVPA) have partnered to host an evening event celebrating culture and belonging.
Brand marketing and distribution group InterGo Holdings Ltd has announced the appointment of Andrea Davies to the role of Non Executive Director, with effect from 3rd January 2023.
olive magazine has launched the olive shop, offering gourmet ingredients, drinks and gifts from some of the UK’s finest small businesses.
Readly, a digital magazine and newspaper subscription app, debuts its offering in France this week.
Redan won the Eco Award for their publication, Fun To Learn Peppa Pig Bag O’ Fun magazine, at the 10th Progressive Preschool Awards held at the Royal Lancaster Hotel in London on 15th November.
Havas has announced the expansion of Converged, with two bespoke tools that harness the power of attention to deliver meaningful media experiences.
The News Media Association has welcomed the chancellor’s commitment to bring forward DMU legislation.
The Professional Publishers Association is calling on government to refuse Royal Mail’s plans to stop Saturday letter deliveries.
Time Out and Searchlight Pictures have partnered to promote new film, The Menu, starring Ralph Fiennes, Anya Taylor-Joy and Nicholas Hoult.
The Mark Allen Group says it has emerged in very good shape from the pandemic as it tackles the current challenges caused by political, economic and cost-of-living turbulence.
Circulation marketing strategies across newsstand and subs should be considered in the round. We grab five minutes with InterMedia’s commercial and marketing director, Jamie Wren, to discuss the benefits of adopting an integrated approach.
The UK is a western liberal democracy. Press freedom is not one of the things we normally have to worry about…
Bloomberg UK expands its Wealth content for British audiences with the debut of a new vertical.
Following a launch event in September at the ICA, London, the BitterSweet Review’s inaugural issue is now available worldwide via art book distributor Antenne Books.