Beano to be produced end-to-end in-house
Beano returns to Kingsway as DC Thomson brings its production fully in-house.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Beano returns to Kingsway as DC Thomson brings its production fully in-house.
Stephen Smith and his family holding company Smith Financial Corporation have together acquired a 26.9% shareholding in The Economist Group from Lady Lynn Forester de Rothschild, her family and the ERANDA Rothschild Foundation.
Following a franchise agreement announced last year, Time Out last week launched in India with dedicated digital platforms for Delhi and Mumbai and confirms plans to open the country’s first Time Out Market in New Delhi later this year.
Hearst UK has announced a new Cosmopolitan UK licensing partnership with Dreams on a range of bed frames and sofa beds that fuse style, comfort and practicality for modern living.
TIME has announced it is to bring ‘TIME100 Next’ to India for the first time in partnership with Reliance.
The Association of Online Publishers has announced the shortlist for the 2026 Digital Publishing Awards.
Alamy leverages Amazon Web Services, Inc. to power a new semantic Smart Search, transforming how creators and brands discover visual content.
Air Business Global Event Logistics is preparing to launch MYLO, a next-generation logistics technology platform designed to transform how organisers, venues, event service providers and exhibitors plan, manage, and deliver events worldwide.
Wallpaper*, a global design brand, has relaunched its celebrated Travel Guides, reintroducing a companion for today’s design-led traveller.
Tom’s Guide relaunches with smarter shopping tools, expert Q&As and expanded video strategy.
Rosie Swash will be joining Wired as its new deputy editor in London.
The Newspaper and Magazine Awards last week announced its 2026 winners at a ceremony in London.
Joanna Cummings has been appointed the new editor of Freelancer Magazine and her first issue as editor will be Issue # 21, due to be published this month.
The IPA says the Q1 2026 Bellwether Report is a key indicator of the health of the economy.
Printforce and Air Business partner for a UK distribution pathway for Print-on-Demand publishers.