Intersend Ltd appointed by DC Thomson
Intersend Ltd has been appointed by DC Thomson to manage its e-commerce fulfilment and back issue storage.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Intersend Ltd has been appointed by DC Thomson to manage its e-commerce fulfilment and back issue storage.
Forbes has announced the launch of Forbes Wine, a new premium content vertical and e-commerce initiative designed to extend Forbes’ into the global wine industry.
Print remains a central part in many publishers’ long term strategies. James Evelegh explains why…
Magazines Canada and Exact Editions have partnered to create a showcase celebrating Canada’s magazine publishing industry.
Preciso has announced the launch of Ultima for Publisher, a WordPress tool that enables publishers to increase revenues using brand-safe, native advertising placements.
Connect to Nature is a new visualised podcast and social media brand from Immediate Media exploring ways to engage with the natural world.
Digital Publishers’ Revenue Index shows fourth consecutive quarter of overall growth, though more publishers report revenue declines than in Q3 2025
Dozens of the UK and the Republic of Ireland’s student journalists have been recognised at the Student Publication Association’s 2026 National Awards.
Bauer Media’s RiDE magazine enters a new era with the launch of its revamped May issue.
Moonpig and Beano have joined forces to celebrate Dennis the Menace’s 75th Anniversary.
Paul McNamee has been named Editor of the Year four times by the British Society of Magazine Editors. Stepping down this spring from Big Issue, Paul reminisces about his time on the title and about what he’s learned along the way.
The results are in for the AOP’s annual ‘Digital Publishing: Outlook and Priorities’ survey. Richard Reeves summarises the main findings.
Dickon Ross has been an editor so long that he finds himself wondering if he should consider doing something else…
Welcome to our ‘subscriber retention’ special. High renewal rates are vital for subscription growth, realising high lifetime values and driving profitability.
Publishers that monitor engagement signals across both online and offline touchpoints are better able to detect early signs of disengagement, says Will Perkins, account director at CDS Global.