White Bullet partners with Horizon Media
The cyber safety and intellectual property protection company will help Horizon Media to prevent ads ending up on pirate sites.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
The cyber safety and intellectual property protection company will help Horizon Media to prevent ads ending up on pirate sites.
PITCH is a new sports magazine from Stencil, a multi-discipline creative agency based in Nottingham and publisher Kevin Whitchurch.
France is next on the map for adtech vendor Adnami following the signing of new partnerships with Ad4Good and TF1.
Industry auditor ABC welcomes three new members to its board: Sajeeda Merali, Tina Callcutt and Nick Service.
The HistoryExtra Podcast celebrates 15 years and 150 million downloads with a special series ‘15 minutes of fame’, on the hidden figures of history.
One publishing brand that seems to have nailed ecommerce is Marie Claire, both in the UK and, more recently, in the US. Ciar Byrne looks at its winning strategy.
BBC Good Food is one of the country’s leading publishing brands. Meg Carter looks at how it demonstrates and reinforces its brand values.
BikeRadar has announced that it has achieved a milestone as its podcast has achieved more than 1,000,000 listens.
Artists & Illustrators has announced the launch of new art annual for 2022, Painting Made Easy.
Many publishers aspire to be data driven. But with her background in subscriptions marketing, Reneé Doegar, publisher of London Review of Books, is arguably more enthusiastic – and, perhaps, better positioned – than most.
Classical music has been around for ever. And it’s not going anywhere if these magazines have anything to do with it, as Alan Geere finds out.
Organisers are increasingly focused on making money in between their events by offering a range of paid-for services. Carolyn Morgan examines some case studies of successful ventures and offers ten tips to organisers looking to do something similar.
Lumen Research has signed a deal with media platform, Teads, to provide measurement and native creative metrics to clients.
Jason Birks took over the chains of office from immediate past president Narinder Randhawa at the organisation’s annual conference.
At the heart of a successful transformation is the ability to ask the right questions, set clear goals and take the organisation with you. Ciar Byrne talks to Rebecca Miskin about the changes she is making at DC Thomson.