Launch: Magazzn
Magazzn, a new platform for publishing digital editions to mobile phones, has just been launched.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Magazzn, a new platform for publishing digital editions to mobile phones, has just been launched.
Benedict Ransley has been appointed as the head of marketing for NME Networks, he will take up the new role on September 1st 2022.
ePublishing has announced the acquisition of subscription-management software provider Multipub, creating an integrated full stack publishing solution.
Verasity, an adtech company that prevents invalid traffic across digital video advertising, has announced inclusion of its VeraViews ad stack in the IAB’s Global Vendor List (GVL).
Although total UK marketing budgets grew at a solid pace in Q2 2022, with strengthening economic headwinds, UK companies’ financial prospects deteriorated sharply, contributing to cuts in adspend forecasts.
Native advertising, or sponsored content, is becoming a key part of modern marketing and as with any ad campaign, it is important to measure its performance accurately.
Cost-effective and tightly targeted distribution is the cornerstone of a profitable free magazine. Magazine Heroes' Dan Collins has five tips for how publishers can achieve success with free distribution.
Their partnership aims to integrate viewability and contextual capabilities to offer clients the opportunity to enhance scale, reach and campaign performance.
Bauer Media music magazine MOJO has launched a new digital audience membership model, providing subscribers with more content and multimedia experiences across their digital devices.
To maximise sale and reach beyond their regular readers, magazine publishers need to promote in-store. We grab five minutes with Marketforce’s Ben Oakden to find out how publishers can increase impulse and occasional sales.
Acorn Web have invested in two additional stitching lines to be installed this summer.
UK travel brands team up with Readly to offer digital reading to their customers.
Future plc’s latest data shows the cost of living crisis is the number one concern for the UK public, yet 61% are quietly optimistic their spending will return to normal.
Winners of The Printing Charity’s Rising Star Awards have been announced.
Reader’s Digest UK launches a searchable digital archive available for subscription.