Quality ad environment: how to deliver it
A quality advertising environment is publishers’ USP. The task of delivering that rests with Ad Ops teams. Kerys Arundell looks at the challenges.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
A quality advertising environment is publishers’ USP. The task of delivering that rests with Ad Ops teams. Kerys Arundell looks at the challenges.
Our Media’s craft and lifestyle magazine Mollie Makes, has gone through a significant redesign and was relaunched on the 19th May as Mollie.
impact.com announced this week that it will bring together all players in the partnership economy at its Partnerships Experience (iPX) event.
Future plc has published its results for the half year ended 31 March 2022.
Hearst UK has reimagined its existing events business to become HearstX.
The shortlist for the BSME Talent Awards 2022, in association with Readly, has been announced. The winners will be announced at a ceremony on 28 June.
Bauer Media’s Grazia has announced Victoria Beckham as its global cover star, across 14 editions of the magazine.
The winners of the 2022 ACE Newspaper & Magazine Awards were announced at a ceremony at the London Marriott Grosvenor Square on 12 May.
Acast, a podcast platform, has further invested in its Acast Creative team, by promoting Jack Preston to Global Head of Acast Creative.
Sam Oakley, formerly Director of Social Creative at LADbible Group, has joined Jungle Creations as Director of Social.
PinkNews has announced the hire of four senior-level executives working across partnerships, strategy and communications.
What does it take to make a great publishing brand? James Evelegh has ten tips…
impact.com has announced the appointment of Mike Head as CRO and Jenna Mills as PR Director, having also promoted Cristy Ebert Garcia to CMO.
Future has announced the acquisition of Who What Wear, a digital-only women's lifestyle publisher based in the US, from Clique Brands.
Diversity in journalism has come under scrutiny in a new report published by the NCTJ, examining the characteristics of UK journalists.