Readly launches new marketing campaign to shape brand identity
Readly has named fischerAppelt as their new branding and creative agency and together have just launched a new marketing campaign.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Readly has named fischerAppelt as their new branding and creative agency and together have just launched a new marketing campaign.
There is no stronger sales tool than getting to understand your readers, to envisage who the reader is and to write specifically for that person.
Reporters Without Borders this week published its annual World Press Freedom Index. It makes uncomfortable reading for the media.
Carly Steven, head of SEO at The Sun and co-chair of the AOP Audience Development group, looks at how the task of driving traffic is evolving.
The Australian Ceramics Association has announced that the digital archive of The Journal of Australian Ceramics has now been completed.
Are data clean rooms a fad or a significant factor in the cookieless future? Optable’s Vlad Stesin says that it’s the latter… and so much more.
Boostr, a provider of advertising management software, has announced a live integration with Mediaocean, an omnichannel advertising platform.
Aquila has announced the acquisition of Comosoft, a global provider of marketing production workflow solutions.
Media Voices has announced the winners of the Publisher Podcast Awards, following a ceremony which took place on Wednesday 27th April at Proud Cabaret City in London.
The Association of Online Publishers has announced the shortlists for its 2022 awards. The winners will be announced at a special awards dinner on 15th June.
The Trustworthy Accountability Group, an advertising industry self-regulatory organisation, has released the first annual report for TAG’s Project Brand Integrity.
Time Out has partnered with the lastminute.com London Eye to show the people of London that there is “no better time to visit the London Eye with its unique and fresh perspective on the city”.
Digital ad spend saw the biggest full year growth for 15 years in 2021 with investment up 41% year-on-year to £23.5 billion, according to IAB UK’s latest Digital Adspend report.
Hearst UK brands ELLE and Esquire UK have partnered with Audi for a multi-platform campaign titled ‘Style with Meaning’.
Denmaur Paper Media, a paper merchant, has announced that it has surpassed 100,000 tonnes of Carbon Balanced Paper sales.