Organisations respond to government report on AI and copyright
The NUJ, NMA, PPA, and PLS have welcomed news that the UK government no longer supports an opt-out exception to copyright for artificial intelligence training.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
The NUJ, NMA, PPA, and PLS have welcomed news that the UK government no longer supports an opt-out exception to copyright for artificial intelligence training.
Grazia’s affordable fashion issue is to be promoted by a campaign across all Bauer Media’s publishing, audio and outdoor channels for first time.
Take a Break puzzles is launching the bookazine to allow busy minds a well-deserved break and reset.
Christian Aid has selected ESco to deliver supporter services as part of its donor engagement programme.
Baseball America has launched a new app experience with Jellyfish.
Stylist earlier this week launched Lessons That Matter, a campaign to give girls the skills and emotional tools they need to navigate modern life.
The Stationers’ Company has presented its Warrants for 2026.
Limelight says the senior hire will focus on growing its footprint in the Americas.
HELLO! and Kérastase Chronologiste partner for an age affirming campaign.
Time Out Group PLC has appointed Emma Teague as chief strategy & transformation officer in a newly created role, underscoring the Group’s focus on disciplined execution and sustainable long-term growth.
Claims by Big Tech firms and their allies that weakening UK copyright law would boost AI growth and the economy are not supported by their own evidence, according to a new review by Oliver & Ohlbaum.
Leicester-based trade printing book and booklet specialist Flexpress has invested over £3 million in a series of equipment spends which will see all of their main printing machines changed this year.
Empire unveils world exclusive preview of Star Wars: The Mandalorian and Grogu, in close collaboration with Lucasfilm and Disney.
Editor-in-Chief, Saska Graville, builds on the brand’s editorial pillars, introducing new sections, features and contributors.
ACE has announced the shortlist for the its 2026 Newspaper and Magazine awards.