Autovia builds out digital leadership with Dan Daly hire
Autovia, an automotive content and commerce business, has appointed Dan Daly to the new position of Marketing Director.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Autovia, an automotive content and commerce business, has appointed Dan Daly to the new position of Marketing Director.
Grazia has partnered with Pregnant Then Screwed to call on the government to reform the childcare sector.
Gardens Illustrated is celebrating its 300th issue this month and 37 of its original subscribers will be receiving a goody bag.
Can’t wait to get back to in-person events but don’t want to abandon all those people who have been attending your virtual events? Hearst UK has the answer…
vjoon, a creator of digital content management solutions, has announced the release of vjoon K4 version 12.
Adventures with… Tractor Ted goes on sale 10th June priced at £4.99.
The Ozone Project has appointed Martin Harriman as its first-ever Chair in a move that the organisation says will further boost its strategic direction and commercial success.
Wired global editorial director Gideon Lichfield has announced the appointment of Greg Williams to the role of deputy global editorial director.
Specialist consumer magazine publisher Silverback Publishing has launched new digital archives of four titles in collaboration with the Exact Editions platform.
Air Business has announced that Paul Hatch has joined the group as Customer Experience Director for Air Business Subscriptions.
Readly has teamed up with Samsung to offer customers of the newly launched Galaxy S21 5G Series the Readly subscription through ‘Samsung Boost’.
New internet laws were published last week in the draft Online Safety Bill to protect children online and tackle some of the worst abuses on social media, including racist hate crimes.
Future plc has published its results for the six months ended 31 March 2021.
Railway enthusiasts can now sign up for World of Railways Plus membership, a new kind of digital package available through Warners Group Publications.
The Big Issue Group has marked the milestone of equipping over a third (594) of its vendor network with contactless technology via the Zettle card reader.