Dennis continues sustainability drive
Last month saw AutoExpress become Dennis’ latest title to shift from plastic to paper wrapping.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Last month saw AutoExpress become Dennis’ latest title to shift from plastic to paper wrapping.
The Delicate Rébellion has officially launched its online concept store, offering “beautiful things from brilliant creatives”.
Future plc has announced a trading update covering the four-month period ended 31 January 2021.
For the first time, Empire magazine will be publishing with a half page cover-wrap to promote Netflix’s new film Mank.
Time is a precious commodity and shouldn’t be wasted on mundane and repetitive tasks. We grab five minutes with Rob van Dorp, director of AdFactory-International, to see how publishers can free up time.
MPP Global has announced the appointment of Ruth Bickerton as VP, Global Channel & Strategic Alliances, Publishing, focusing on the news and magazine publishing sector.
Arora Hotels has asked Gold Key Media to come up with a “touch free” digital media solution that would allow their guests to be able to access content on their own devices.
British Vogue and YouTube UK have partnered to launch a new series of masterclasses - Vogue Visionaries, a series for aspiring creatives.
Uncut, a monthly rock music magazine, has launched a new digital archive in partnership with publishing platform Exact Editions that is available to individuals and institutions.
Gold Key Media and Project Wingman in conjunction with Bauer Media and Chelsea Magazines have launched an initiative to give thousands of packets of seeds to NHS staff in hospitals across the UK.
The winners of the BSME Awards 2020 were announced last Thursday at the BSME Awards 2020 Online Celebration.
Haymarket Media Group has announced that it had acquired a stake in TMotions Global.
Jonathan Collins & Associates has announced the appointment of Simon Hassell as Strategic Projects Director.
The Association of Online Publishers (AOP) yesterday announced that its annual awards are open for entries.
The ABC yesterday released the consumer magazine circulation results for the July – December 2020 period and publishers have responded with their interpretation of the figures.