Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
The Delicate Rébellion has launched a ‘Pay It Forward’ programme offering those who might not usually be able to afford the membership fee, a chance to join its creative community, The Collective.
Esquire, Hearst UK’s men’s magazine brand, and Beast have teamed up to launch a new grooming box for men.
The Sunday Times has announced the appointment of Laura Atkinson as editor of Style.
Cosmopolitan has announced the launch of its inaugural Careers Festival, a series of free online events.
How well do you know your customers? The answer is important because it could mean the difference between success and failure…
Digital publishing revenues fell less than expected to £117.1m in Q1 2020, a 2.3% decline against Q1 2019, according to the latest quarterly Digital Publishers Revenue Index from the AOP and Deloitte.
Men’s Health and Women’s Health have announced a social partnership with TikTok that will see both brands co-create inspirational hashtag challenges through the #LearnOnTikTok initiative.
The next issue of Time magazine features a special cover project, The New American Revolution, created with artist and producer Pharrell Williams.
LOT, the Polish airline, now offers its passengers digital access to newspapers and magazines, via Media Carrier’s Media Box service.
The just released ‘Distripress Global Distribution Tracker: Pulse Update’ paints a picture of a sector facing unprecedented challenges, but also one that is reacting with speed and creativity.
Charlie Burton has been appointed as Watch Editor at British GQ.
Culture Trip – an app aimed at millennials and Gen Z travellers – has announced the launch of its first-ever original podcast, titled Only In.
Dennis’ monthly automotive titles evo and Octane have united to create a book outlining the best cars of the last 100 years; The Dream 100.
The ABC has released the consumer magazine circulation results for the January – June 2020 period and publishers have responded with their interpretation of the figures.
InterMedia has announced a new partnership with Egmont Magazines, to provide subscription management services for a new launch this autumn.
