Crime Monthly announced as a media partner for CrimeConUK
CrimeCon, billed as the ‘World’s No.1 True Crime Event’, is coming to London next year and Bauer Media’s Crime Monthly magazine is to be a media partner.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
CrimeCon, billed as the ‘World’s No.1 True Crime Event’, is coming to London next year and Bauer Media’s Crime Monthly magazine is to be a media partner.
The Week Junior received over 1,000 entries into its Summer of Reading campaign, which equates to over 3,000 books being read by children in the UK in the summer months, say the publishers.
Linux Magazine celebrates its 20th anniversary with the release of a special archive DVD issue containing every single issue of the magazine to date – all 239 issues.
Immediate Media Co yesterday announced that Kirstie Duhig has been appointed as editor of HomeStyle.
Be honest – before March, did your disaster recovery plan include the word ‘pandemic’? Papermule’s Mike Hoy admits that theirs didn’t, but like for many others, a mix of prudent choices taken over the years & resourcefulness has seen them cope well.
Rev’d Professor Bryony Dean Franklin and Professor Eric Thomas have been appointed as the new Co-Editors-in-Chief of BMJ Quality & Safety.
A new series of BBC Countryfile Magazine’s ‘Plodcast’ launches on September 29th with 12 new episodes.
TIME reveals the 2020 TIME100, its annual list of the 100 most influential people in the world.
Vogue Singapore launched this week, with its first print issue, digital platforms and a 360º digital experience, marking the 27th edition of Vogue globally.
Evening Standard has launched a new advertising solution that enables brands to create engaging visual Stories, amplified across Evening Standard websites.
Independent music publication Crack Magazine has partnered with digital publishers Exact Editions to create a digital archive of fully-searchable issues that stretches back to 2012.
Readly, a digital subscription service for magazines, yesterday announced the outcome of the offering and listing of Readly's shares on Nasdaq Stockholm.
It’s no longer enough to create compelling content. Our audiences increasingly want to feel part of specialist communities made up of like-minded people, writes Zapnito CEO Charles Thiede.
The Big Issue is expanding its reporting team with the appointment of a new Digital Editor and the newly created role of Digital Producer.
LEIPA has entered the paper wrap market with a 100% recycled and 100% recyclable water-resistant wrap.