Tony Elliott
Tony Elliott, the founder of Time Out magazine, died on 17 July, aged 73 after a long illness.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Tony Elliott, the founder of Time Out magazine, died on 17 July, aged 73 after a long illness.
Hearst UK this week announced it is opening The Hearst Institute, a new, state-of-the-art product testing facility in Feltham, South West London.
Bauer Media this week confirmed the conclusion of its UK Publishing portfolio review, originally announced on 18 May.
Future plc is leveraging the content and editorial expertise from newly acquired TI Media to launch three digital brands.
Anthem last week completed changes to its structure to take it forward post-lockdown, focusing on its major wellness brands as well as bringing selected music and special interest titles back into publication.
NFRN National President Stuart Reddish has roundly condemned Friday’s announcement from Smiths News that its carriage charges are to increase by 3.02 per cent with effect from August 30 2020.
In a virtual ceremony yesterday, hosted by Tom Evans, ACE announced the winners of its 2020 Newspaper & Magazine Awards.
Despite the recent uptick in subscriptions, advertising revenues remain crucial to many publishers’ profitability. As Andy Kirk of publishing services provider Perception SaS, tells James Evelegh, detailed knowledge underpins successful sales.
One of the UK’s leading children’s magazine publishers, Signature Publishing, has announced that it will be an active partner in the Department for Education’s Hungry Little Minds campaign.
Special interest publisher Aceville has launched a new consumer magazine, ‘Live Green & Good’, an online title focused exclusively on sustainable living.
For the first time, several international editions of Condé Nast Traveller have aligned under a single theme: Under One Sky.
Future has launched a new website, GardeningEtc, catering for what it sees as an emerging market for “outdoor living”.
Future plc has announced the launch of a new collaborative series combining the expertise of its gaming division and its factual production company Barcroft Studios.
Readly has partnered with Swedish publishing houses Egmont Publishing and Aller media to enable them to release new and exclusive editions of their magazines in English to global audiences.
Dennis’ Cycling division has launched a new magazine, Cycling Electric, the brand for all things e-bike and e-mobility.