PPA Awards 2020 – winners announced
The winners of the 40th annual PPA Awards were announced yesterday in an online ceremony.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
The winners of the 40th annual PPA Awards were announced yesterday in an online ceremony.
In a landmark move, the Government this week published a new clause to the Domestic Abuse Bill which – if the law is passed – will end the so-called ‘rough sex’ defence.
In the first project of its kind for British Vogue, Editor-in-Chief Edward Enninful OBE commissioned 14 special covers for the August issue.
The Big Issue Group has confirmed details of its plan for vendors’ return on Monday 6th July to selling the magazine in England, Scotland and Wales.
The winners for the BSME 2020 Talent Awards were announced last week in the first event BSME virtual Awards ceremony filmed on Zoom during lockdown.
ES Magazine, the Evening Standard’s weekly supplement, will return to London’s streets from September 2020.
This week’s issue of Time examines the question of whether America, which has failed to live up to its ideals for 244 years, will answer the call to right its course.
The InPublishing Podcast launched three weeks ago. James Evelegh shares some early learnings…
In a follow up to his recent webinar on digital editions, Paul DeHart, CEO of BlueToad, answers five additional questions posed by attendees at the event.
Time Out Group, comprising two divisions, Time Out Media and Time Out Market, will be providing curated content to Apple Maps through a new feature.
Bauer Media has outlined changes to 10 brands in its UK publishing portfolio following the completion of a review of its operations, originally announced on 18 May.
Flash Art, an international arts title, has launched new digital editions of both its Italian-language and anglophone publications in collaboration with digital platform Exact Editions.
The winners of this year’s Campaign Publishing Awards were announced in an online ceremony last week.
The IPA has expressed its reservations regarding Facebook’s announcement that it is to allow users to switch off political ads on its platform in the US.
The Association for Online Publishing has announced the shortlist for the 2020 Digital Publishing Awards – a celebration of best practice in innovative, creative and profitable digital publishing.