New Brand for NewstrAid
NewstrAid is launching a new logo and branding which aims to keep the charity current and contemporary.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
NewstrAid is launching a new logo and branding which aims to keep the charity current and contemporary.
Egmont Publishing has announced the launch of Milkshake! Magazine, Channel 5’s multiplatform pre-school brand.
The Professional Publishers Association has announced that Barry McIlheney is to step down as CEO after ten years in the role.
Music & Literature has just launched a new digital subscription service in collaboration with archiving company Exact Editions.
Following his election by the PPA Scotland membership, John will take over from current Chair – DC Thomson’s Sally Hampton – at the beginning of 2021.
Forbes Chief Revenue Officer Jessica Sibley this week announced the appointment of Lynn Schlesinger as Chief Marketing Officer.
TI Media has announced that it is now delivering all 42 UK subscriber titles wrapped in sustainably sourced and FSC accredited paper.
BlueToad’s Paul DeHart is excited about the digital opportunities facing publishers in 2020. Here, he highlights three of them…
Paywalls come in all shapes and sizes and it’s important to choose the right model for your publishing operation, says Full Fat Things’ Stewart Robinson.
Developing a deep understanding of your audience and their passions, is the key to unlocking digital revenues.
It’s easy to get distracted by the latest tech trend, but, says Readly's Ranj Begley, there is a growing appreciation of one thing that’s been around a long time – the digital edition.
When clients take the time to speak to you, pay special attention to what they say. It’s valuable insight, says AdvantageCS's Dan Heffernan.
With publishers looking to reduce their carbon footprint, Denmaur’s Danny Doogan points out that paper is a renewable resource and highly recyclable.
Ethically and practically, it’s not a good idea, although in some markets, it’s getting harder to say ‘no’, writes Dickon Ross.
The last few months have seen extensive flooding in England and devasting bushfires in Australia. With the nightly news full of alarming stories about the impact of climate change, it’s never been more important for all of us to do our bit.