Think and Morris create Think Travel
Think Publishing Ltd and Morris Communications Company have announced the merger of Morris Visitor Publications Europe with Wanderlust Publications Ltd.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Think Publishing Ltd and Morris Communications Company have announced the merger of Morris Visitor Publications Europe with Wanderlust Publications Ltd.
Anthem Publishing has announced the acquisition of mindfulness magazine, Planet Mindful, from TI Media.
Literature professionals and enthusiasts can now subscribe to the complete digital archive of international literary journal, Brick.
Hearst Magazines Europe has announced strategic changes to better align its four owned and operated markets to deliver a joined-up approach: ‘One Hearst Europe’.
At the recent Campaign Publishing Summit, Hearst CEO James Wildman explained why he did not see paywalls as part of their publishing future.
Future is marking the 30th anniversary of its Homebuilding & Renovating brand with a programme of activities and new events in 2020.
Time Out has appointed Joe Mackertich as new Time Out London Editor and Jordan Waller as Head of Digital Content.
Each year, Readly, a digital subscription service, tracks which magazines are being read across its portfolio of titles and which issues have been most popular.
The Independent Press Standards Organisation (IPSO) has announced the appointment of Barry McIlheney, CEO of the PPA, to its Board.
The team behind Kitchens Bedrooms & Bathrooms magazine has launched a new consumer-facing website, These Three Rooms.
Specialist children’s publisher Signature Publishing has partnered with global animation and toy company Alpha Group for the launch of a new pre-school magazine.
Country Walking launches its Walk1000Miles 2020 challenge with a special 64-page supplement, published with the February 2020 issue, available on newsstands 2 January 2020.
The board of the Press Distribution Forum announced last week that the NFRN has elected to join the organisation and two NFRN executives will sit on the PDF board.
In today’s challenging publishing environment, how can publishers work better together and with their supply chain partners, to ensure a profitable publishing future? We get the views of Rob Barham, group sales director at Air Business.
Wired Middle East debuts its inaugural print issue this week, following a bilingual, digital-first launch earlier this year.