Viz launches Honk My Horn
To celebrate its 40th anniversary, Viz has launched its first ever standalone card game, Honk My Horn.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
To celebrate its 40th anniversary, Viz has launched its first ever standalone card game, Honk My Horn.
The Manson Group has marked its 50th birthday with the acquisition of a Heidelberg XL 106 from Exel Printing Machinery.
Bauer Media’s Take a Break is to launch another companion magazine, Take A Break Super Savers, on 24 December 2019.
In November, at its vjoonity events in New York and Hamburg, vjoon unveiled a new digital asset management platform, vjoon seven.
The women at the heart of Britain say they feel their real needs and the day-to-day issues that affect them have been ignored by parties in their general election campaigns, a survey from TI Media reveals.
The illustrator of iconic children’s books including The Gruffalo, Room on the Broom and The Snail and the Whale has created an original illustration for TV Times’ Christmas Double Issue cover.
Dennis this week announced the appointment of Richard Kerr as Chief Financial Officer.
For the twelve months ended 30 September 2019, DMGT has reported revenues of £1,411 million, 2% higher than last year on an underlying basis.
De Montfort University Leicester has signed a new partnership with magazine publisher and audio business Bauer Media, to create career opportunities.
Hearst UK has announced some key changes and investments across its commercial division, Hearst Solutions.
Cafeyn, an information streaming service, has announced a partnership with O2, a mobile phone network.
Vogue has announced the launch of Vogue Values, a global mission statement adopted by all 26 editions of Vogue that articulates the titles' shared commitments for 2020 and beyond.
House & Garden has announced the launch of The Calico Club, a new community for devotees of art, interiors, gardens, design and food.
Immediate Media Co has announced the appointment of Dan Constanda in the dual role of Chief Operating Officer and Chief Finance Officer.
In line with its sustainability targets, Haymarket Media Group has begun to eradicate plastic mailing film from its supply chain.