AdvantageCS unveils new client
AdvantageCS, a provider of subscription management solutions, has announced Keesing Media Group as a new client.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
AdvantageCS, a provider of subscription management solutions, has announced Keesing Media Group as a new client.
TI Media is partnering with tech company Ownable to make it easier for readers to place orders for the products they see featured in the pages of its homes magazines.
James Evelegh's editorial from today's edition of InPubWeekly.
Margaret McCloskey, the Head of Operations at the NFRN, is to leave the organisation at the end of September.
Bloomberg Media's innovation lab, BHIVE, has launched The Bulletin, an AI-powered news feed for its mobile app.
Findings from the latest Digital Publishers Revenue Index, a quarterly report on UK publishing from the Association for Online Publishing and Deloitte, reveals an increase in digital revenue in the last year, fuelled by continued strong growth in sub
Richard Dennen, Editor of Tatler, announced yesterday the appointment of Sophie Pera as Fashion Director.
Bauer Media’s weekly fashion title, Grazia, is to publish two different covers on Tuesday 18 September to coincide with London Fashion Week. The purpose of the covers is to challenge issues of inclusion and diversity in the fashion industry.
Hearst UK has announced the appointment of a Client Director of Finance, Peter Cammidge.
The team behind Bauer Media’s TV Choice magazine are to launch a new magazine dedicated to the Eighties, containing, says Bauer, “a treasure trove of telly memories no TV fan will want to miss”.
Egmont has been accused, by the NFRN, of reducing independent news stockists to second class retailers after launching a pilot scheme that sees two of its titles supplied to supermarkets first.
Marie Claire, the fashion and beauty magazine brand published by TI Media, is marking its 30th birthday with a landmark edition celebrating female empowerment and featuring the British actress and first female ‘Doctor Who’, Jodie Whittaker, as its co
More than 20,000 complaints were made to the Independent Press Standards Organisation last year, according to figures published yesterday in their Annual Report, up from nearly 15,000 in 2016.
The Times’ luxury magazine, LUXX, is published on 8 September and is the first issue under the direction of Kate Reardon.
James Evelegh's editorial from today's edition of InPubWeekly.