Optimising the funnel
Jim Foster’s publishing world…
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Jim Foster’s publishing world…
Shortlist Media last week announced that its in-house content studio had created its first television advertisement – for GAME.
Cosmopolitan last week honoured three leading female advertising icons at its annual Advertising Week Europe Event – Cosmopolitan: A Celebration of Female Talent.
The PPA Retail Forum and MagSell Awards took place on March 21 at London’s Ham Yard Hotel to celebrate and champion magazines at retail.
Yves Bougon has been appointed Président Directeur Général of Condé Nast France, it was announced yesterday by Jonathan Newhouse, Chairman and Chief Executive of Condé Nast International.
Building upon the success of the My Little Pony Magazine, Signature Publishing, under license from Hasbro, has announced the launch of My Little Pony Special.
Future plc yesterday announced the proposed acquisition of five specialist consumer titles from Haymarket Media Group for up to £14m.
Vogue Czech Republic and Slovakia yesterday announced the appointment of Andrea Behounková to the role of Editor-in-Chief. The Czech and Slovak edition of Vogue will debut both digitally and in print in August 2018, published in partnership with V24
The IAB UK has released a study that looked at the best ways to advertise to people on smartphones and revealed that fit for purpose ads – ie optimised for smartphones – can shift brand metrics and can increase positive perceptions such as the brand
James Evelegh's editorial from this week's edition of InPubWeekly.
Branded video is a growth area for publishers. We grab five minutes with Pete Fergusson, CEO of Nemorin Film & Video, to find out why.
Meetrics says it has become the first firm outside the US to verify viewability metrics for videos served on Facebook and Instagram.
enki, a new monthly magazine aimed at both men and women about luxury modern domestic architecture and design, goes on sale on 21 March, priced £4.80.
GQ and Gucci yesterday announced the second installation of the five-part film series: “The Performers,” curated by Dylan Jones, Editor-in-Chief of British GQ.
Hearst UK and Coast & Country Hotels, part of Shearings Leisure Group yesterday announced a new partnership to rebrand two hotels within its portfolio.