NME announces The Cover 2024–2025
NME has announced The Cover 2024–2025: a premium coffee table book spotlighting Kneecap, Lola Young and other breakthrough artists.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
NME has announced The Cover 2024–2025: a premium coffee table book spotlighting Kneecap, Lola Young and other breakthrough artists.
The brand lift measurement company allows Quizlet’s advertisers to gauge their campaigns’ impact on brand awareness, perception and purchase intent.
The first part of the mediashapers 2025 project looked at the people shaping the media business. Now, Jim Bilton moves on to the companies and brands that everyone is following and copying: a new dimension to the whole mediashapers project.
Successful publishers have one thing in common – clean data. So, why do so many publishers put up with messy data? We grab 5 minutes with Adept Data Services’ Rob Sherwood to find out why clean data matters and how publishers can achieve it.
The focus of the AOP CRUNCH event in September was on how publishers can develop audio and video content to drive both long-term commercial growth and increased brand trust. The AOP’s Richard Reeves picks out the main talking points.
“The Business of Doing Good”: New research series explores how businesses in Asia are rethinking purpose, profit and social responsibility.
Bauer Media group says the refined two-tier management structure builds on internal talents, enhances decision-making efficiency, and deepens business alignment for long-term sustainable growth.
Art Monthly and Jacobin are amongst seven new titles selling perpetual access subscriptions through Exact Editions.
The British Society of Magazine Editors has unveiled the shortlist for the BSME Awards 2025.
Anoop Ramachandran, CTO at specialist programmatic platform, Preciso, discusses AI’s influence on digital advertising, why humans still play an integral role, and why gaining (and maintaining) consumer trust has never been more important.
The Q3 2025 IPA Bellwether Report was published earlier this month on the 16th October.
Women's Health UK and England Netball launch a new multi-platform partnership.
Air Business Subscriptions has secured a new three-year contract with DC Thomson.
Olive magazine relaunches today with a redesign showcasing a global network of expert contributors, bringing the world to your table.
LADbible has launched For F*cks Sake – a national campaign to help young people navigate porn, communication and real-life sex.