GQ and Kodak go Behind-The-Scenes with Cara Delevingne
British GQ and Eastman Kodak Company have collaborated on an exclusive behind-the-scenes film featuring August issue cover star Cara Delevingne, shot by Renell Medrano.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
British GQ and Eastman Kodak Company have collaborated on an exclusive behind-the-scenes film featuring August issue cover star Cara Delevingne, shot by Renell Medrano.
Future announced on Friday the proposed acquisition of the Home Interest division of Centaur Media plc, a portfolio of brands in the home building segment, for cash, at an enterprise value of £32m.
International Media has acquired the rights to publish the mature men’s lifestyle magazine Calibre from Hurst Media Company.
Naomi Campbell, Kate Moss and Oscar-winning director Steve McQueen were announced as Contributing Editors of British Vogue yesterday by Edward Enninful, in-coming Editor-in-Chief.
Sir Chris Hoy, one of Great Britain’s most successful Olympic athletes of all time, has been appointed cycling correspondent for GQ, it was announced yesterday.
British Glamour has announced that its August issue is dedicated to Instagram, a ‘love letter to the app that changed the world’.
JICWEBS – the industry owned independent body that defines best practice and standards for online ad trading in the UK – has undergone a number of changes in its drive to tackle the rising threats of online ad fraud and brand safety.
The Independent Press Standards Organisation (IPSO) yesterday issued guidance for editors and journalists relating to the republication of material taken from social media.
Condé Nast Britain Digital has announced the launch of Stories, its newly titled branded content studio.
British Vogue has worked with YouGov for this, the tenth Business Report, establishing what the “smart woman” thinks in relation to the fashion, beauty and luxury media landscape today, and what sources they most trust.
The PPA Awards event was held last night at the Grosvenor House Hotel, in London.
Simon Gresham Jones has been appointed Chief Digital Officer of Condé Nast Britain, it was announced yesterday by incoming Managing Director Albert Read.
FourFourTwo has announced a new digital partnership in Spain and a new publishing partner for FourFourTwo Hungary.
The Association for Online Publishing (AOP) revealed the winners for its flagship annual awards at a ceremony on Wednesday evening at Old Billingsgate, London.
Kate Slesinger, Publishing Director of Tatler and Vanity Fair has announced the new team structure for the newly combined commercial department.