New team announced for House & Garden and World of Interiors
Emma Redmayne, Publishing Director of House & Garden and The World of Interiors has announced the new team structure for the newly combined commercial department.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Emma Redmayne, Publishing Director of House & Garden and The World of Interiors has announced the new team structure for the newly combined commercial department.
Time Inc UK has promoted Julia Barrass to the role of commercial trading director in a move that completes a reshaping of the advertising leadership team across the business.
Tapping into the world of AI, GamesRadar+ launched their new chatbot at E3, the world’s biggest gaming conference, in mid-June.
Glamour, Condé Nast’s women’s lifestyle magazine, and SOPOST, the international sampling company, have announced the launch of the Glamour Beauty Club.
Bauer Media yesterday announced the appointment of Nicky Holt. She will be a key part of the Specialist senior management team as Group Commercial Director at Bauer Specialist.
The British Society of Magazine Editors (BSME) has just released a brand new line up of awards, which the society is describing as the biggest revamp in its recent history.
NME is joining forces with Thatchers Haze cider to launch The Emerging Artists Project – a nationwide search for the best undiscovered talent in the UK.
The Sunday Times has appointed Jane McFarland to the position of Fashion Director, working primarily across Style magazine.
The Grazia Unplugged issue, on sale now, is encouraging readers to lay electronic devices aside and rediscover the joy of scroll-free suppers, call-free conversations and textless time-outs.
Immediate Media Co has announced the launch of a new monthly print magazine titled In The Moment, dedicated to helping women make the most of every day with mindfulness, creativity and wellbeing.
Intermedia, the circulation marketing and distribution services provider, has announced a number of changes to its management team.
Vogue will be launched in Poland in 2018, it was announced yesterday by Jonathan Newhouse, Chairman and Chief Executive of Condé Nast International.
The Chelsea Magazine Company has acquired Popshot Magazine, a contemporary illustrated literary magazine that publishes short stories, flash fiction, and poetry for up-and-coming authors and illustrators.
Time Out has announced the appointment of Lawrence Horne as MD Commercial, EMEA of its Time Out Digital business division, effective immediately.
Adrian Hughes, group managing director of Marketforce, answers our questions about his life in publishing.