The Mailing People announce investment
The Mailing People has announced a triple investment in greener technology.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
The Mailing People has announced a triple investment in greener technology.
Welcome to our ‘content creation’ special, in which leading publishers and suppliers give us strategy insights and best practice tips for efficient content creation.
The challenge is to strike a balance between maintaining and growing our print readership, whilst satisfying a digital audience who expect unique content across our socials, website and newsletter, says Loma-Ann Marks.
Using hidden tags is the key to unlocking the key insights that will help you shape your content strategy, says Stewart Robinson, managing director at Full Fat Things.
To ensure we are continuously improving our branded content offering, we aim to launch new formats on a regular basis, says Arianna Chatzidakis, creative content director.
A well-defined imaging strategy helps publishers of all sizes maintain visual quality without overloading teams, says Derek Milne, commercial pixometrist at Pixometry.
We know that streamlined collaboration and the integration of digital asset management and multichannel publishing tools can reduce content production time by 40%, says Jeroen Goemans, managing director (EMEA) at WoodWing.
Great content management doesn’t come from flashy features – it comes from understanding your editorial process and choosing tools that elevate it, says Atex's Sara Forni.
Cosmopolitan UK has launched a new membership club with experiences at its heart.
Immediate and Florette have launched a new campaign designed to ‘Elevate your plate’.
James Evelegh picks out eight of the many tips on offer at InPublishing’s recent ‘Subscriber Acquisition Special – Q&A’ webinar…
Barry McIlheney, a giant of the magazine world, died on Monday, 26th May.
GLAMOUR UK has unveiled the covers for its Sound of the Summer issue, featuring Joy Crookes, Darkoo and CMAT, the first issue under new head of editorial content Kemi Alemoru.
The survey reveals who IPA agencies and digital specialists consider to be the best media owners to work with.
This was Douglas McCabe’s advice to publishers at the recent PPA Festival.