Some takeaways from the PPA Festival
The PPA Festival featured over 37 sessions across four stages. James Evelegh picks out some takeaways from the ‘Big Picture’ stage.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
The PPA Festival featured over 37 sessions across four stages. James Evelegh picks out some takeaways from the ‘Big Picture’ stage.
Immediate has announced the appointment of Neil Dickson as director of SEO and audience development.
Columbia University has announced the 2025 Pulitzer Prizes, awarded on the recommendation of the Pulitzer Prize Board.
DC Thomson has announced the appointment of Ella Dolphin to the newly created role of deputy CEO.
PA Media Group appoints Bruce Marson as chief financial officer.
Making money from video is something many publishers are trying to do. Simon Elliott offers some insights and top tips into how this can be done.
Air Business has made two appointments to its global event logistics team.
According to the report, new forecasts show ad market set to reach £45.2bn in 2025 and £47.8bn in 2026.
Few journalists will be celebrating the first 100 days of the second Trump presidency.
With local elections and a by-election taking place today and the press busily anticipating the likely results, media commentator and former newspaper editor Paul Connew has had trouble sleeping…
TIME appoints Deputy Editor Kelly Conniff to head of creative at TIME Studios
British Journal of Photography has launched a digital edition for institutions and subscribers in partnership with Exact Editions.
The Association of Online Publishers has announced the shortlist for the 2025 Digital Publishing Awards.
James Evelegh picks out some of the key takeaways from our recently published Subscriber Acquisition Special.
The Q1 2025 report shows that UK marketing budgets decline for first time in four years but year-ahead plans stay upbeat.