IOP seeks librarian input
IOP Publishing has announced a new initiative: Library Advisory Boards.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
IOP Publishing has announced a new initiative: Library Advisory Boards.
To support the launch of its Everyday Value line, Tesco has partnered with IPC Media to create a cross-media campaign across seven IPC Media brands: Woman, Chat, Pick Me Up, Essentials, woman&home, What’s on TV and Goodtoknow.co.uk.
The Professional Publishers Association (PPA) has announced details of the first international festival celebrating magazines to be held in the UK.
Hearst Magazines UK has announced the appointment of Zoe Jobson as Publisher of House Beautiful.
IPC Inspire has announced the appointment of Mike Williams to the position of editor of NME. Mike replaces Krissi Murison, who steps down from the role in June.
Future, the international specialist media group and leading digital publisher, has named Total Film Editor Jane Crowther as Editor-in-Chief in the wake of the successful launch of the brand’s interactive iPad edition.
Woman’s Weekly, the magazine that celebrates the home, family and lives of UK women, has announced the launch of its first standalone live show; Woman’s Weekly Live! The Creative Stitches & Hobbycrafts Show.
Hearst Magazines UK has announced that it has entered into a binding agreement with Kelsey Publishing Ltd to sell Coast Magazine and transfer its licence with Groupe Psychologies to publish Psychologies in the UK.
iSUBSCRiBE.co.uk, the online subscription site, is launching a big campaign to encourage gift giving for Father’s Day (June 19th).
Scotland’s single largest ever inward investment, UPM Caledonian paper mill, received His Excellency the Finnish Ambassador of Finland to the United Kingdom Mr Pekka Huhtaniemi this week during a business delegation to Scotland.
The June issue of Cineworld Magazine will mark the 100th edition of Cineworld’s monthly film publication.
Following its launch in April 2012, Citibet, the free football betting magazine, has increased its distribution by a third to 100,000 issues for a Euro 2012 special on Thursday, 31 May, 2012.
IPC Connect has promoted Simon Denny to the position of affiliate director, responsible for driving transactional online services within the IPC Connect portfolio.
Tuesday 29 May sees the first ever Incisive Media insurance industry conference in Asia.
Ian Edmondson, former head of news at the News of the World, has been appointed as Editor of Loaded.