RPS appoints a Managing Director for Pharmaceutical Press
Alina Lourie has been appointed Managing Director of Pharmaceutical Press, the publishing division of the Royal Pharmaceutical Society.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Alina Lourie has been appointed Managing Director of Pharmaceutical Press, the publishing division of the Royal Pharmaceutical Society.
UBM plc has announced the formation of two new marketing services businesses, UBM Technology and UBM Connect.
Imagine Publishing, the global digital content producer, has announced the appointment of Aaron Asadi to the newly created role of Head of Publishing.
The Association of Publishing Agencies (APA) has announced a new partnership with Marketing Week.
The PPA has agreed an exclusive affiliation with the Association of Event Organisers (AEO).
Mollie Makes – the contemporary handmade magazine from Future Publishing – is to partner with independent publisher Anova Books to create a series of Mollie Makes-branded craft books.
Luton-based Specialist Media Agency, Silvertoad, have been selected as finalists in the Federation of Small Business Bedfordshire Awards 2012.
Helena Lang, editor of Sainsbury’s magazine, has started a brand new restaurant column for the Institute of Directors (IoD) Director magazine.
Former Radio Times advertising director, Andrew Mercer, has joined Scout Media, publishers of Scout London, the free weekly magazine for London’s social life.
ELLE UK has appointed two of the most highly respected and experienced Entertainment media experts in the industry to source its future celebrity content – US based, Contributing Entertainment Director, Lisa Hintelmann, and Entertainment Editor, Seam
Rhapsody has produced The Illustrated Diamond Jubilee special edition for The Illustrated London News, London’s oldest trading publisher and a leading customer-publishing agency.
Global distribution firm Air Business has underlined its support for the magazine publishing sector by extending its strategic partnership with the PPA.
Woman’s Weekly, the magazine which celebrates the home, family and lives of UK women, today unveils a 100-page tribute issue dedicated to Her Majesty The Queen.
In their first year of taking part, Informa plc has been awarded ‘Ones to Watch’ status in the prestigious Best Companies Accreditation 2012 project.
The Chartered Institute of Marketing (CIM), the world’s largest professional body for marketing, has announced the appointment of its new Chief Executive.