Five key branded content trends for 2012
Julia Hutchison, COO of the Association of Publishing Agencies, tell us what she expects to be the important trends during 2012.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Julia Hutchison, COO of the Association of Publishing Agencies, tell us what she expects to be the important trends during 2012.
Marie Claire, the premium fashion glossy, has launched its new fashion magazine, Marie Claire Runway.
Bloomberg Markets magazine is launching its first spin-off, also Bloomberg's first luxury title - Bloomberg Pursuits magazine - this week.
FuturePlus, the customer publishing agency of Future Publishing, has announced the appointment of Fiona McDaniel to the position of Director of Client Services and Marketing.
Haymarket Media is sponsoring a new award as part of its commitment to encourage fresh talent within the media industry.
Intelligent, inspiring, informative; Easy Living the UK’s sophisticated, grown-up women’s monthly proudly unveils a newly designed magazine and website under new Editor Deborah Joseph, for its March 2012 issue.
All hail Will Boud – the nation’s dishiest dad! Will, from Nottingham, was crowned by the team at Sainsbury’s magazine after winning a fiercely fought cook-off at the London head office.
Michelle de Young has returned to content agency John Brown as Client Services Director.
Martin Holmes has been appointed as General Manager of UPM's UK sales organisation. He replaces Will Oldham who left the business at the end of 2011.
A summary of the results of the Publishing Futures 2012 project was published this week in InPublishing magazine. Jim Bilton of Wessenden Marketing has also just announced a half day workshop - Publishing Futures Live.
Fashion and beauty title InStyle has secured John Lewis as sponsor of its annual Best Beauty Buys awards, with a cross-platform partnership including the launch of a Best Beauty Buys app.
As the Star Wars saga joins the 3D revolution with the cinema release of Episode I, Titan has announced the release of the official Totally: The Phantom Menace magazine.
100 Years Of The Titanic, a new oneshot from Sport Media, goes on sale 6 February, priced £4.99.
Magazine publishers have given top marks for customer satisfaction to mailing firms accredited by the industry’s quality standards scheme.
Leading multi-platform media group, Bauer Media, has announced a restructure of its commercial offering by integrating its digital, print and broadcast sales teams around brands.